Deb Werksman is the Executive Editor of Sourcebooks, Casablanca imprint. We are excited to have her here today to tell us about what's happening in the industry The good news is submissions to Sourcebooks do not require an agent.
I started publishing a political
satire magazine in 1989 called THE QUAYLE QUARTERLY (A Watchful Eye on the Vice
Presidency) and started doing books and calendars in 1990. In 1992 I switched
to humor and women’s interest and gift books, and Sourcebooks became my
distributor. In 1998 I sold the press to Sourcebooks and came on board as a
nonfiction and gift book editor. In 2003 I started acquiring fiction, and in
2007 we launched our romance imprint, which has been my focus ever since.
2/ Who were some of the authors you
helped get published?
I’m excited that we are the print
publisher for Lucy Score (and so many others in our Bloom imprint), and Carolyn
Brown and Sharon Sala have been publishing with us for many years. We’ve just
acquired books by Jill Shalvis, Lauren Blakely and Pamela Kelley. I’m excited
about the international bestselling authors we’ve acquired recently who we’re
translating into English: Mercedes Ron, Alice Kellen, Elisabet Benavent and
Joana Marcus who is a Wattpad sensation, among many others who we’ll be
bringing to US audiences for the first time.
3/Why an independent publisher? Has
Sourcebooks remained female owned? Is that important to you?
The entrepreneurial environment here
is extraordinary, as is our culture of Growth Mindset. Dominique Raccah is our
owner and we’re agile because we’re independent. I think the whole Sourcebooks
experience is what’s important to me, all my colleagues, and to our authors
especially. Teamwork and collaboration and agility are important in this
overcrowded marketplace.
4/Books and readers expectations have
changed over the years. What are some of the tried-and-true tropes that
continue to attract readers?
The romance category continues to be
the trailblazers, and the tropes remain strong—enemies to lovers, second chance
at love, friends to lovers, etc. Fans just want fresh takes on the
tried-and-true stories and the reading experience that they crave.
5/ What are some of the changes you
have seen in the publishing world over the years? Any predictions of where
publishing is heading next?
Authors as entrepreneurs is one of the
huge changes, and of course big changes in the retail space too. The mass
merchants (Target, Walmart) are increasing space for BookTok authors and Barnes
& Noble has worked hard to make each store more like an independent
bookstore with really passionate booksellers serving their communities of
readership. Readerships have also fragmented along all kinds of lines—where
people buy their books, what formats they prefer, etc. The biggest changes can
be summed up as movement away from gatekeepers and towards what readers want.
6/ What kinds of stories are you
buying and what storylines are selling better than others?
I’m buying New Adult, dark romance,
contemporary and small town and romcom, and romantic women’s fiction. Cozy
romantasy, romantic suspense (or strong suspense element), LGBTQIA+. My
colleagues are experts in Romantasy, and that’s super hot right now.
7/the words high concept stories
are what publishers say they seek. What does high concept mean to you?
To me high concept means a hook I can
sell with in 2-3 sentences, that has appeal to a broad readership.
8/Are you accepting unagented
submissions?
Yes!
9/ Any predictions as to where
publishing is heading next?
I think we need to watch readers and
see what they’re doing, what they want, what life experiences they want to read
about. It’s all about readers and fandom and that’s only going to get stronger.
10/ Changing directions. What do you
do for fun?
Yoga and knitting, and when audiobooks
made it possible to read (listen) and knit at the same time that was
life-changing. Now if I could only figure out how to read, knit AND do yoga all
at the same time…
12/ Before you leave us, are there any
words of wisdom for those who continue to write and would prefer to be
published traditionally?
I know it’s been said a million times,
but the most important thing is to write the best book you can, and to figure
out your own schedules/rhythms/processes that work for you for your writing.
You’re going to need to market, whatever way you choose to publish, so be sure
to start thinking about where your strengths lie in that domain, and start
doing what you need to do to get comfortable and happy connecting with readers.
13/ What’s next for Deb Werksman?
I’m ecstatically happy acquiring for
Sourcebooks—what’s next is to expand my horizons and make as many authors
successful as I possibly can!
Deb, thank you for sharing your insights about publishing and what's going on at Sourcebooks.
ReplyDeleteWhat a great and varied career you've had! I didn't see any mention of paranormal or fantasy romance. Are those bought by you or Sourcebooks?
ReplyDeleteThank you.
Yes, we publish lots of paranormal romance and fantasy romance. Please do submit!
DeleteThank you for giving us the scoop on Sourcebooks, Deb.
ReplyDeleteI love the books you publish. Can you tell us about your alliance with Cosmopolitan Magazine?
ReplyDeleteCosmo and Sourcebooks are collaborating on a new imprint called Cosmo Reads. We'll be launching the first books in the imprint in 2025 and we're open for submissions!
DeleteGreat Interview! I feel like I got to know you and Sourcebooks better. Your enthusiasm is contagious!!!
ReplyDelete