Debbie Young - Angela Fitch Photograph |
The precedent was set during the Golden Age of
Crime-writing. Many of Agatha Christie’s stories require crimes to be solved to
reunite lovers parted by accusation and arrest. In Dorothy L Sayers’ Strong Poison, when Lord Peter Wimsey
falls in love with Harriet Vane at her trial for poisoning her ex-lover, he must
prove her innocence before her date with the noose.
Cover by Rachel Lawston Lawston Design |
While the “will they, won’t they?” feeling is a good reason for the reader to keep turning the pages, besides wanting to solve the mystery, perhaps the most important function of romance in mystery novels is to provide comfort and warmth to restore the reader’s spirits after the shock of cold-hearted crimes. It also adds point to the more poignant moments, such as accentuating the sense of loss at a murder.
Cover by Rachel Lawston of Lawston Design |
But I don’t weigh up the balance of mystery, romance
and comedy as I go along, as if mixing a sponge-cake recipe. I use them instinctively,
as a natural extension of my upbringing and personality. Coming from a
close-knit, quick-witted, optimistic family, in my household never a day goes
by without hugs and laughs. My parents have just this week celebrated their
sixty-sixth wedding anniversary. I’m lucky to have been raised to regard happy
endings and true love as ideal and achievable. And in my mystery novels, unlike
real life, I have the unassailable power to deliver both.
Debbe Young's Sophie Sayers Mysteries Covers by Rachel Lawston of Lawston Design |
Flat Chance, the first in Debbie Young's new series, will be published in the summer |
She also writes short stories and has published three themed collections. She is founder and director of the Hawkesbury Upton Literature Festival, a frequent speaker at literary events around the country, co-presenter of BBC Radio Gloucestershire's Book Club, and UK Ambassador for the Alliance of Independent Authors.
Links: www.authordebbieyoung.com
Twitter: @DebbieYoungBN
5 comments:
Debbie, had to laugh at the "feel good murders" description of your books by Rosalind Minett. To me, your covers convey that message.
I enjoyed your analysis of romance subplots in mysteries. I've always preferred cozy mysteries, partly because of the romance subplots that are often included. Yours sound like fun!
Hi Debbie, I agree even though we are writing mysteries, you need romance because people in real life have romance, bad days, good day, friends and enemies. Our characters need to "feel" real for the readers to want to follow the series. You hit on a couple things I'm mentioning later in the month. Great post!
Lovely post, Debbie. I enjoy a little romance with my mysteries, will need to check out your books. :-)
Like others here, I chuckled at the "feel good murder mysteries." It is why I prefer cozies to dark thrillers when reading mysteries. I also noted something I think speaks to romance in general when included in other genres. You said: "The most important function of romance in mystery novels is to provide comfort and warmth to restore the reader’s spirits after the shock of cold-hearted crimes. It also adds point to the more poignant moments, such as accentuating the sense of loss at a murder."
That statement is so true. If the genre is character driven, one can't help but include critical relationships--whether that is romance, best friend, or family members. The reason I don't read most police procedurals is that the emphasis is on the procedure for solving the mystery/crime rather than the impact on the characters. For me, without my heart bing involved with the characters I'm just not interested--no matter how much of an intellectual puzzle is presented.
Great article, Debbie. Thanks for sharing it with the readers of RTG.
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