This past
year has continued to bring new technologies that are designed to help indie
authors or small business creatives to compete well against big business. These
new technologies provide more support for user-friendly options in book
formatting, book and audiobook distribution to a global market, the ability to
engage with thousands of fans without spending all day doing it, and options
for advertising and driving traffic to books in a way that doesn’t require
thousands of dollars to compete. More analytic tools are now available to track
what works and what doesn’t. The availability of these tools has now put the
small business person (indie authors) on par with big businesses in terms of
access.
I have
only one prediction for 2018. That is that things will continue to change more
quickly. Therefore, it is the agile business that can embrace change that will
win the day. My longer term prediction is that, by the end of this decade, the
ability of independent creatives to go direct to their fans and cut out the
costs of middlemen (Amazon, Kobo, Apple, Google, etc.) distributors will be a
viable income generating option by 2020 through decentralized distribution of
content through blockchain technology. The means to do this is already tested
and working in the marketplace with other businesses. The only thing holding it
back from working in indie publishing is a lack of context and enough early
adopters to prove its viability. This is the next big paradigm shift that can truly
change the publishing landscape to be tilted to the economic benefit of
independent creatives instead of large centralized enterprises.
Here are
the top five trends to watch and capitalize on during 2018.

This translates directly to readers as well. In areas of the world where libraries don’t exist or local bookstores are hard to maintain in smaller villages, people who love to read do so on their phone. For example, did you know that Pakistan, the 3rd largest English Speaking market, now has 141 million mobile phone users? (46 million are 3G/4G subscribers). Yet no one seems to be distributing to them except Amazon which, evidently is crazy difficult for them to use on their phones. (Pakistan info from Mark Williams, The New Publishing Standard blog)
The author who ignores the importance of the phone, for both reading and engagement with their readers, will be left behind. Any apps that allow us to communicate directly through phones are bound to be the new growth and discoverability engine.
2.
Individualized
and Personal Communication Venues Nurture and Retain Readers. Most of us have noticed the rise
of images and video in online communication and sales. It is no longer
acceptable to simply use words. There are many ways to take advantage of this
without having to be a live video star. Invest in ways to create image libraries
that are reflective of you as a writer and a person. Free ones like Pixabay are a good start, as well as
monthly or bulk purchase options in stockphoto companies like Depositphotos and others. Both Google and Facebook are ranking videos higher in
terms of reach. These don’t need to be long—thirty to forty-five seconds is
great. It can be you reading an excerpt from your book, sharing a moment in
your life, or talking directly to your fans. Don’t like showing your face? Not
a problem, use those images and narrate over it. Fans want to know you are real
and that you share some of the same challenges and foibles they have. The
perception of a personal moment with you goes a long way toward building
loyalty.
Individualized communication used to be email. It is now moving toward text
messaging, and Facebook messenger use in particular. Twitter has benefited from
a variety of individualized automation tools, and now Facebook has options too.
Watch for technologies like chatbots (e.g., Manychat and Chatfuel) to provide individualized
assistance for common questions, without you having to be at the ready 24/7.
Use these as a supplement to your personal communications with your fans and as
an alternative to email lists for growing engagement and sales.

3.
Audiobooks
continue to be trending up. We are nowhere near the peak of audiobook demand yet. Particularly
globally where audiobook sales are rising at a faster pace than ebooks. There
are now several large companies competing with Amazon’s Audible platform: Kobo/Rakutan; Findaway Voices; and Playster represent three different dimensions of audiobook
production and distribution, from narration and production management to retail
and packaging. Each of them have global market reach and they provide terms of
service and payment options that are more beneficial to authors/creators than
the Audible contract. These are not the only players, but they represent a
larger group of opportunities for indies to distribute widely and not be tied
to exclusivity to compete with pricing and distribution.
4.
Author Direct
Sales Can Become an Income Generator. Three years ago I predicted this was going to be a game
changer, when digital delivery and secure sales came on the scene with Gumroad
and Square, among others. However, I failed to recognize the need for strong
customer support across multiple e-reading platforms. In November 2017, BookFunnel
announced integration with direct sales options for authors. This means you can
sell ebooks direct (making more money for you on a per book basis) and have
BookFunnel deliver and support your users on the download process. BookFunnel
has an excellent reputation in customer support and has become known and used
around the world by millions of readers for the deliver of free books.
BookFunnel has now integrated with major systems like Payhip, Selz and PayPal through WooCommerce (a WordPress based ecommerce system). They will continue to find new integrations as their customer feedback suggests. I’m sure that other companies will also enter this market when they see more bestselling indie authors embracing it. This solves one major problem in the direct sales market and that makes it a viable option once more.
BookFunnel has now integrated with major systems like Payhip, Selz and PayPal through WooCommerce (a WordPress based ecommerce system). They will continue to find new integrations as their customer feedback suggests. I’m sure that other companies will also enter this market when they see more bestselling indie authors embracing it. This solves one major problem in the direct sales market and that makes it a viable option once more.
5.
BlockChain is
the major content distribution disruptor on the horizon. There is a lot of buzz about
this but it is hard for most people to get their head around. How it works in
the backend is very complex. In a nutshell it allows creators (authors,
musicians, film and video creators) the ability to distribute and sell or
license their intellectual property in a decentralized way that keeps costs
down and transactions transparent. Let’s parse that explanation a little bit.
Currently all vendors, from Amazon to Google and social media platforms like YouTube, Facebook, Medium are all centralized platforms. This means that a single corporate entity controls all the data, all the transactions, the display and/or purchase of content. In short, they make all the rules and charge the creators whatever amount they believe the market will bear to provide these platforms (e.g., 30-60% of sales). Both the consumer and the creator (authors) have no choice but to follow those rules in order to be a part of a wider market. More important, centralized systems can, and do, make arbitrary and unilateral decisions. We’ve seen this happen on all these platforms: Amazon suddenly removes all reviews or shuts down an author account without letting you know in advance. YouTube suddenly decides no one can advertise on the platform unless they have at least 10K followers. Kobo removes all romance titles in fear of the influx of pornography to their partner stores. Sometimes the unilateral negative impact is eventually corrected. Often times it is not. In all cases there is no warning and even when corrected has had a lasting negative impact on sales and reputation.
In contrast, a blockchain content distribution system is decentralized. That means it is not controlled by one companies server AND it is not owned by any one entity. Instead it is spread across multiple individual servers and users (think peer-to-peer but in a controlled and accountable way). The blockchain distribution platform preserves an unchangeable record of all actions. That record creates an environment of total transparency for both content creators (authors) and media/digital consumers (readers, listeners). It also ensures that all views, comments and ratings reflect the REAL interactions with the content. With nothing deleted, or the inability of people to inflate ratings without everyone knowing they did so by using a click farm, it leaves no room for trolls or bad players to thrive because their past bad behavior is in the open and can’t be erased.
With blockchain-based content distribution, authors can be paid within seconds of a consumer paying for a download. Consumers would also know their purchase was directly supporting the content creators they enjoy. Authors who consistently deliver good quality content, that people are willing to pay for, win big in this scenario. Consumers (readers) equally deserve the ability to directly support the authors they enjoy. Yes, there are a still a lot of questions about exactly how this works, and the details of security are still being tested. However, my prediction is that this will be the major disruption to the status quo of centralized control of content for decades to come.
Currently all vendors, from Amazon to Google and social media platforms like YouTube, Facebook, Medium are all centralized platforms. This means that a single corporate entity controls all the data, all the transactions, the display and/or purchase of content. In short, they make all the rules and charge the creators whatever amount they believe the market will bear to provide these platforms (e.g., 30-60% of sales). Both the consumer and the creator (authors) have no choice but to follow those rules in order to be a part of a wider market. More important, centralized systems can, and do, make arbitrary and unilateral decisions. We’ve seen this happen on all these platforms: Amazon suddenly removes all reviews or shuts down an author account without letting you know in advance. YouTube suddenly decides no one can advertise on the platform unless they have at least 10K followers. Kobo removes all romance titles in fear of the influx of pornography to their partner stores. Sometimes the unilateral negative impact is eventually corrected. Often times it is not. In all cases there is no warning and even when corrected has had a lasting negative impact on sales and reputation.
In contrast, a blockchain content distribution system is decentralized. That means it is not controlled by one companies server AND it is not owned by any one entity. Instead it is spread across multiple individual servers and users (think peer-to-peer but in a controlled and accountable way). The blockchain distribution platform preserves an unchangeable record of all actions. That record creates an environment of total transparency for both content creators (authors) and media/digital consumers (readers, listeners). It also ensures that all views, comments and ratings reflect the REAL interactions with the content. With nothing deleted, or the inability of people to inflate ratings without everyone knowing they did so by using a click farm, it leaves no room for trolls or bad players to thrive because their past bad behavior is in the open and can’t be erased.
With blockchain-based content distribution, authors can be paid within seconds of a consumer paying for a download. Consumers would also know their purchase was directly supporting the content creators they enjoy. Authors who consistently deliver good quality content, that people are willing to pay for, win big in this scenario. Consumers (readers) equally deserve the ability to directly support the authors they enjoy. Yes, there are a still a lot of questions about exactly how this works, and the details of security are still being tested. However, my prediction is that this will be the major disruption to the status quo of centralized control of content for decades to come.
You can
learn more about how you can capitalize on these trends to build your own brand
and market your books through Maggie’s most recent release, SECRETS to Effective Author
Marketing: It’s More than “Buy My Book” or look for her boxset of the
first three books in her Career Author Secrets series, releasing in
mid-December.

Maggie
and her musician husband live in the beautiful Pacific Northwest, and are the
slaves of two demanding cats. In 2013, after careers in counseling, the
software industry, academia, and worldwide educational consulting, Maggie chose
to devote her time to her career as a full time author. Her fiction spans
romance, suspense, fantasy and science fiction titles. Her non-fiction focuses
on guiding authors to success in planning, distributing, and marketing their
completed work.