Showing posts with label Plotting a Novel. Show all posts
Showing posts with label Plotting a Novel. Show all posts

Monday, April 6, 2020

Building, Layering, Molding by Paty Jager

Youngest granddaughter and I in Maui
We could take our post two ways this month- favorite thing about writing or most stressful. Since there is enough to worry and stress about right now, I decided to pick the fun post to write.

My favorite thing about writing. I have two, but the leader is building, layering, and molding the story, the setting/emotions, and the characters. My second favorite is that people like to read the stories my imagination conjures up.

Building: Coming up with an idea, even if it's just a tiny niggling, that would make an interesting story. For instance: my book Perfectly Good Nanny that won an EPPIE started with something I heard on the radio while driving home from a writer's meeting. A talk show personality was telling about packages arriving at a person's house and they didn't order them. Only to find out their child had used their credit card and order the items over the internet. I thought of a remote ranch where the twelve-year-old girl is tired of taking care of her toddler brother because her single father is always busy with the ranch. She enlists the help of an older neighbor to order a nanny. And that was the premise of the story. 

Or in the case of my Shandra Higheagle Mystery series, my brother, who is an artist told me about how a statue could be taken apart to move it and how that would make it a great murder weapon. That kept tapping at my brain until I came up with my Native American potter, Shandra Higheagle, and her first mystery.

The building of a story starts my imagination churning and begins my journey into the story that unfolds.

Layering: This is adding the pitfalls and triumphs, the setting, and the trajectory of the story. If it's a romance, I know there has to be a happy ending, but what can I throw in the way of the couple before that is attained? With the mystery, it's coming up with suspects, red herrings, and ways to thwart the detective to keep the story rolling for the correct amount of time, until- the murderer is revealed.

The layering needs to enhance the story. It could be bad weather that causes the problems, or good weather than makes things look sunny and bright when there is really something sinister or wrong brewing underneath. It could be characters motivations or lack of motivations that keeps the reader wondering if they will in fact fall in love or if they really do know how to solve a murder?

Layering is about adding the right amount of will she/won't she in a romance or he's the murderer/no she's the murderer to keep the reader on their toes and guessing what will happen next and hoepfully, I do the opposite of what they predict and take them on a ride they won't forget.

Molding: Of the three this would have to be my favorite. This is when I take a glimpse of a character and I begin seeing them in 3D in my mind. I see how they move, talk, act. And as I write the character I work hard and making the reader see the character in their own eyes but with just enough of the essence of the character I want to portray. I do this with my main characters and secondary characters. I want even the character who is just a walk on to have something about them that the reader notices them. I like books that have strong characters that I remember. I may not always remember the plot to a story but if the character is believable, I will remember them.

That is what I want readers to do with my books. Remember the characters and hopefully some of the interesting information I try to put in every book. Whether it's a romance or a mystery, I like to have some tidbit that not everyone may know. It my be history, it could be an occupation, an area, a way of life. I have always loved reading because no matter what book I read, I always learned something from it. Fiction can teach you something while you are being entertained. That is my motto when I write my books.

Riding my horse on a blustery day
And those are my favorite things about writing a book. What is your favorite type of book to read and why?

Paty Jager is an award-winning author of 44 novels, 8 novellas, and numerous anthologies of murder mystery and western romance. All her work has Western or Native American elements in them along with hints of humor and engaging characters. Paty and her husband raise alfalfa hay in rural eastern Oregon. Riding horses and battling rattlesnakes, she not only writes the western lifestyle, she lives it.

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Tuesday, July 10, 2018

Writing a Series: Beyond Plotting

by Madelle Morgan

I'm starting to write Hollywood Hero, the third book in the Hollywood in Muskoka contemporary romance series.

Okay, I've been "starting" for a while. Over six months, to be exact.

If I were a pantser, I'd simply dive right in and start typing. While creating the story, I'd discover the story. Then I'd go into the second draft in a shaping & refining mode, like a sculptor carves a blob of clay into something that resembles art.

Since I'm a plotter, as I did for the first two in the series, I just need to create character profiles, internal and external goal, motivation and conflict (GMC) charts for each character, and scene structure (scene by scene POV, plot beats and goals), then start writing. Straightforward!

Or so I believed...

On the cusp of writing my seventh novel (three published), I expected plot development to be a breeze. I've read the craft books and distilled my own process for short contemporary romance. I even wrote posts about it. Click here and scroll down to Tips for Writing a Novel.

But I've Been Thinking


Two books in, I've belatedly realized that writing a series requires pinning down several abstract but critical elements before the easy and fun (to me) plotter's process of creating characters and drafting beat sheets.

In addition, readers have expectations that each story will give them a similar experience. That "similar experience" is the series "hook."  If you don't fulfill those expectations, readers lose interest in the series.

Expectations...what does that mean, exactly?

I've discovered that I need to spend time on (maybe I'm overthinking) these foundation elements.

Series Universal Theme

Each romance in the Hollywood in Muskoka series explores the universal theme of Identity. Each heroine struggles with these questions: What kind of person am I? Who do I want to be? Where do I belong? What should I do with my life?

Story Theme

Each story explores a different aspect of identity. Below are the story themes that reflect the heroine's internal conflict and journey to becoming her best self. Each novel's black moment emerges from the story theme, which is why (as a plotter) it is important to nail down the story theme before creating the scene structure and beats.

Caught on Camera: Deception leads to heartbreak.
Seduced by the Screenwriter: To heal, you must face your fear.
Hollywood Hero: To thine own self be true (draft).

Romance Trope

In the novel blurb, the trope has to be immediately evident to the prospective romance reader. It's vital to her "yes, I want to read this" or "no, I'll pass" decision.

Caught on Camera: Romantic Comedy
Seduced by the Screenwriter: Wounded Hero/Heroine
Hollywood Hero: Unrequited Love/In Love with the Boss

Tone

Caught on CameraHumorous, light
Seduced by the Screenwriter: Dramedy, dark elements
Hollywood HeroHumorous, light

Heat Level

Series: steamy

The Cast

When writing a series, several characters are continuing or will star in their own books. Therefore when crafting each story, secondary characters have to be introduced to set up the future novel and novella romances.

Caught on Camera, #1
Rachel and Mickey (hero and heroine). Introduces core series characters: the wedding party (Halden, Candy, Garth, Wade, Asta, Tiffany), Catrina, Marie-Eve, and Wendy. A character mentions Tiffany's director ex-husband who will be the hero in Book 4.

Seduced by the Screenwriter, #2
Catrina and Chett (hero and heroine). Introduces Brigit and Brad (Muskoka), and Jenna and Henrik (Hollywood).

Hollywood Hero, #3
Halden and Wendy (hero and heroine). Introduces Bella (Hollywood), Skylar (Muskoka) and maybe others TBD.

The Director's Dilemma, #4
Tiffany's ex and Asta (hero and heroine). 

Getting the Greenlight, #5
Wade and Skylar (hero and heroine).

The Producer's Passion, #6
Garth and Tiffany (hero and heroine).

You can see that I have planted the seeds for Brigit, Henrik, Jenna, Brad, Bella, and Marie-Eve to have their own romances, should I decide to continue the series or write novellas within the timeline of the series. Then there are all the "extras"; that is, the local Muskoka community and Hollywood film industry characters who have walk-on parts, are villains, or get killed off.

That's quite a few inter-connected characters to juggle before starting to create the GMCs, beat sheets, scene structure, character arcs, etc. in the Muskoka "world." Yikes.




Series Bible & Timeline

The series takes place over a two to three year period. I have to keep notes on locations and characters (including dogs), and what each character is doing in the time frame of the individual novels. For example, Halden's film production company has several movies at various stages of development or in production over that time period. Several characters have various roles to play in the creation of these films. Their private relationships intersect their working relationships.

"We'll Fix it in Editing."

I'm a big picture thinker and a planner, so it's not overwhelming for me to think about six books at once. However, it takes time. There's the danger of getting mired in the details. Minor issues can be fixed in the second or third draft, but before I personally can start writing, the underlying structure needs to be pretty solid.

I plan to start writing Hollywood Hero next month.

I've been promising myself that for three months....

What I need is a deadline to get my you-know-what in the chair at the computer. Any ideas to share on what motivates you?

Enjoy the summer!


Madelle


Caught on Camera is a Hollywood wedding romantic comedy set in Muskoka, Canada—summer playground of the rich and famous. It's Book 1 of the Hollywood in Muskoka series.

5 stars! "Caught on Camera" is a super fun read! Full of funny drama and lighthearted banter, it lifts the spirits. A witty, passionate romance, "Caught on Camera" is a great break from reality. Laura Dinsdale, InD’tale magazine review, October 2017.



Seduced by the Screenwriter, Book 2, is a steamy romantic dramedy.

Cat and Chett’s characters are well developed, drawing the reader into their individual plights, while their campy banter keeps the story light and downright fun. Ms. Morgan keeps the plot moving with humorous situations and dialogue interspersed with exciting and poignant drama. A good read for a snowy afternoon. —Marc Joseph, InD’Tale magazine review, March 2018.



Madelle's romantic thriller DiamondHunter is a free read in Kindle Unlimited.

Follow Madelle on  TwitterFacebookGoodreadsPinterest, and Wattpad. For giveaways and new releases, subscribe to Madelle’s blog at www.MadelleMorgan.com.