My background is in theatre. From the time I was a child, I was always making up stories and presenting 'plays' to classmates and whatever indulgent audience of family and friends I could find. I studied English Literature at Trent University and finally ended up at drama school in the UK at the London Academy of Music and Dramatic Art (LAMDA).
Professional acting is a tough slog. Just like hopeful authors, actors must
constantly throw themselves on the mercy of others. We must charm our way into
an agency if we want good paid work in our field... and it's just as hard as
securing a writing agent! We perform shows for love and no money to build our
resumes. We continually try to catch the eyes of casting directors and
producers... and once we get a job, we hope to capture an audience. The cycle of
high hopes and abject rejection is relentless.
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| Ruth Barrett |
I gradually transitioned into fiction writing as a creative outlet... all
along keeping my hand in the acting world. Voice-over work became my speciality
and I love it. Competition is fierce in any aspect of performance and I couldn't
seem to find consistent employment in my niche. I'd always wanted to be in the
company at Ontario's Stratford Festival-- and came close after a memorable
audition fresh out of drama school. I went through years of feast or famine
while juggling meaningless bread-and-butter day jobs to keep afloat.
One day out of the blue, I was contacted by a friend I once worked with
during a voice-over stint in children's TV. He now produced descriptive video
and remembered that I was a writer as well as a voice actor. Would I care to do
some training? My new 'day job' landed in my lap.
It's a perfect marriage of my love of performance and writing. Finally, I
make a living as a writer!
For those unfamiliar with description, it is a service provided for the
visually impaired. I generally work from videos of TV shows and film embedded
with a time code. My task is to describe any visual action important to the
story that is not already made obvious in the dialogue, and this secondary
script is then recorded by a narrator and added into the show's file for
broadcast. It is vital not to talk overtop of the existing soundtrack, so the
tricky balance is to both paint a clear picture of the action in words and fit
it into the available space.
As a writer, I'm challenged to be concise and accurate. It's a great
discipline for me to use in my own fiction writing.
Most of my contracts are with Accessible Media Inc. Though I usually
work writing scripts from home (huzzah!), I was part of a special live TV event
you might have heard about-- Will and Kate's Royal Wedding! For a live
broadcast, it is impossible to prepare a script ahead of time. My colleague and
I were on the air for the entire six hours live-describing the events as they
unfolded. It was the first time such a huge task had been undertaken in
descriptive services and we enjoyed good media coverage. http://http://arts.nationalpost.com/2011/04/26/how-to-narrate-the-royal-nuptials/
One of the loveliest things about this career path is that I now also work
with the Stratford Festival. Through an initiative to provide better
accessibility for all patrons, I am part of a team of live theatre describers.
It's the best of both worlds for me: combining my writing and theatre training
in equal measure.
As for fiction, I'm not a romance novelist... but if you are in the mood
for a chilling historical ghost story, please check out BASE SPIRITS (available
in all e-book formats through the usual suspects, and in paperback). I'm
currently busy with a new mystery series THE DEAD DRUNKS... and book one In
The Bag is nearly done!
To keep up with my news and fun bits on writing,
join me on my Facebook page at: http://https://www.facebook.com/pages/Spirited-Words-Book-Co/101014656667433
or
my blog: http://ruth-barrett-spiritedwords.blogspot.ca/
