By
Linda Lovely
Spring officially
arrived this year on March 20. Tell that to my azaleas and Loropetalum. My
blueberries, roses, and hydrangeas didn’t get the message either. In February,
all these plants and more rushed ahead, putting out blossoms and shoots of new
growth. Fooled by a stretch of super warm winter days and balmy nights, the shrubs
got in too big a hurry. A March cold spell severely punished their impatience.
 |
| Not this year! |
While I’ll still have blueberries this year, the crop won’t be as plentiful as last year. For the most part, my plants will survive despite the ugly dieback of withered fresh growth. Nonetheless, our yard will not be dressed in its regular showy cloak of red, pink and white blossoms this spring. I’ll have to wait another year for my springtime fix.
But maybe there’s
a lesson in the wilted brown of the leaves and the death of the blooms. It
seldom pays to rush. It’s human nature to want to hurry up and “get to the good
stuff, the fun stuff.” But it’s an urge that I’m trying to ignore.
How might rushing
backfire for a writer? Here are three ways.
Research. It’s entirely possible
to devote so much time to researching that one never gets around to writing.
However, the reverse is more often true. We assume we understand technology, courtroom
or police procedures because of our exposure to TV or online posts. Always take
the time to check with authoritative sources. That’s one reason I’m a huge fan
(and staff volunteer) for the annual Writers’ Police Academy. The WPA offers a unique
opportunity to question experts and gain first-hand experience with everything
from long guns to fingerprinting.
Editing. All the authors I know
go through multiple drafts before they are willing to call their novels “finished.”
Yet, I find a “cooling off” period between drafts is not time wasted. Spending
a week working on unrelated tasks before embarking on that final edit lets you
see the characters, plot, and language with fresh eyes.
Publishing. When we first start
sending queries to agents and/or publishers, we’re tempted to take the first
offers we receive. That response can be born out of fear we won’t get a better
response and will be spinster novelists. Or it can reflect our desire to rush
our babies out into the literary world. However, no author should take a leap
of faith into the arms of an agent or publisher out of fear or impatience.
Are you guilty of
rushing in any of these areas?
