I’ve written 5 x long romance stories (over 95,000 words), 1
x category contemporary about 50,000 words and 3 x 39,000 word novellas. Many writers, and
readers, have asked me whether I find writing different length books difficult.
How do I develop deep, believable characters, in a shorter book? The answer is
it’s not difficult!
It’s in the plotting.
When I write a romance, I love immersing myself in the
characters' world. I try to make the characters real, likeable and human –that often means
flawed. When you have a character who has deep, inner emotional problems, you
need to be able to write a character arc that allows them to face their fears
and grow. How can you do that in a novella?
I’m a plotter, so I usually know how their character arcs
are going to develop before I start writing the story. I use Michael
Hauge’s Six Act Story Structure (I think I’ve mentioned him before). His tried and true plotting method is
structure into 6 acts that have approximate percentages for growth across the
book, all centred around 5 turning points. For instance, the first 10% of the
book is about the here and now. What does the character believe about himself
at the beginning of the book (even though he may be kidding himself)?
Michael says: The opening 10%
of your screenplay must draw the reader, and the audience, into the initial
setting of the story, must reveal the everyday life your hero has been living,
and must establish identification with your hero by making him/her sympathetic,
threatened, likable, funny and/or powerful.
If you use a plotting tool like this, you can see how easy
it is to write any length book. Simply take the percentages and apply them. If
I want to write a novella of say 20,000 words, then Stage 1 will be 2,000
words. Stage 1 will be 9,500 for a 95,000 word novel.
Shorter stories mean tighter character development. I
thoroughly recommend having a road map to follow, or a plot outline of the story
first, because showing a believable character growth in shorter books is the key to an
emotionally engaging novella.
My first novella, To Dare the Duke of Dangerfield, was a Top
5 Finalist in the Kindle Book Review Indie Romance book of the Year 2012 and was
a finalist in RomCon Best Historical 2012.
4 comments:
Interesting post, Bronwen! I do the same thing when writing short stories. It just made sense to me to do this.
How awesome that To Dare the Duke of Dangerfield is free on Smashwords with your coupon code! Buy this, people!
Thanks for sharing your process and The Duke, Bron. I know the characters pretty well and their arc before I sit down to write so I don't plot. But I've been known to sit down after I've written the book and see how close I am to Michael's Acts and Plot Points.
And I agree with Sarah - download To Dare the Duke of Dangerfield and enjoy a good read (along with the other books in that trilogy).
Thanks for the kind words, ladies!
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