by Sarah Raplee
I like to do what I call “pre-writing”
before beginning a new story. Part of this involves figuring out my main characters’
backstories including their relationships with family members. Those
relationships often affect a character’s behavior.
For example, a young woman named
Alice who is an identical twin grew up with her sister in the foster care
system. She will most likely be closer to her twin than to anyone else. They
may have relied on each other more than on the adults in their lives. They may
have lived in warm, loving families as well as less-than-ideal families. They
may be slow to trust in relationships, but they may also recognize qualities
that they want in a life partner, as well as qualities they don’t. There’s also
a good chance they are hyper-vigilant around new people.
Now let’s think about Alice Two,
the same young woman but she and her twin grew up with loving and supportive parents
in a stable home. They may not be so tied-at-the-hip to each other. They may be
more independent, but also more naïve than the first set of twins.
Now let’s imagine Alice One goes out to dinner with a guy who begins to set off her creep-o-meter. How would she respond?
- Alice One would have done some in-depth checking on the guy before going out with him. Anything suspicious (criminal record, social media posts, etc.) would have made the date a non-starter.
- My second guess is she would go to the restroom, text her twin—who knows where she is and who she’s with—and ask her to call her in 5 minutes with a fake emergency. After the phone call, Alice One would leave in her own car because there’s no way she’d let him know where she lives.
Alice Two, on the other
hand, would be less likely to thoroughly vet the guy. A recommendation or
introduction from someone she likes might seem safe enough, especially if he’s
a charmer.
- When Alice Two begins to feel uncomfortable, she may try to ignore the feeling. If she fakes an illness, she might let the guy take her home if he insists (big mistake.)
- She might panic and go to the restroom to call her twin or a friend, hiding out until reinforcements arrive.
Every writer develops their own
process. For me, pre-writing helps me to avoid re-writing. It helps me make
decisions ahead of time that help the story to flow naturally.
If you are a writer, do you do
any pre-writing?
If you are a reader, have you ever come across a place in a story where someone reacts in a way that makes no sense for the character?
2 comments:
I am a writer and I do not do any pre-writing. My normal process is stories including characters, setting, dialogue, etc. come to me in night and day dreams. I'll hear a snippet of dialogue or see a scene/setting in my minds eye. I find that so fascinating as I'm not a very visual person...so when I do "see" something, I pay attention to it.
Really interesting approach, Sarah.
I don't really do pre-writing. But I do a lot of pre-thinking. I usually have a character and story idea ruminating in my head for several months before I put pen to paper (actually fingers to keyboard). But once I do, I start writing.
I've taken many classes on pre-writing, or doing character sheets, and plotting. I've tried to make those techniques work for me because it sounds so great to have that control and knowledge of what is going to happen. But instead of helping it seems to stifle my creativity.
For about six to seven years now I've embraced my own "writing into the mist" process because that is what works. My process is to start writing once a protagonist has formed in my mind. I know her (usually it's a her but not always) like I would know an acquaintance that I formed an early bond with. I know enough about her to know what her immediate goals and challenges are (kind of a backstory). Just like in any growing friendship, we start supporting each other and I see how she does with life and pursing her goal(s).
As with life, together we discover a) is that really the goal she wants (often not); b) what obstacles she is going to run into before getting to any goal; and c) what she learns along the way that will make her change and become a much better person in the end. I learn more and more about her along the way as I write. By the end I don't want to let her go, but must because by then there is another new acquaintance calling to me to follow a new journey. :)
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