If you want to create more diverse worlds, move beyond
stereotypes to add depth to your characters, or just generally don’t want to
‘screw things up’ when it comes to diversity and inclusion you may want to
consider hiring a sensitivity reader.
Here are five things you need to know about sensitivity
readers:
- It’s NOT just about racial diversity – Authors often associate the need for a sensitivity reader with writing characters and stories from ethnic backgrounds other than their own. Yes, ethnic and racial diversity are where the conversations on inclusion started but the conversation has been expanded to include other abilities, age, sexual orientation, body types, etc. In addition to ethnicity, characters in wheelchairs, on the autism spectrum, battling PTSD, or managing bipolar disorder all deserve the extra insights a sensitivity reader can bring to your work.
- Sensitivity readers are NOT line editors – Not all sensitivity readers are going to take a red pen to your grammar. (Some do and if they provide this service you should pay them more!) What they will bring is a critical eye to your characters’ actions, reactions, backstory, voice, and all the other attributes of your diverse character. Often their input is more in the ‘story editing’ and / or ‘character development’ categories.
- You can engage a sensitivity reader at any stage of your writing – Typically an author hires a sensitivity reader when their manuscript is beyond the first draft, but not quite ready for publication. However, as soon as you have words on the page you can work with a sensitivity reader. A sensitivity reader can assist you with your character profiles, backstories, etc. at any stage of your writing process.
- It is important to be SPECIFIC with regards to the type of sensitivity read you want – If you are writing a story that features a Mexican-American Gulf War veteran who is a multiple amputee with severe PTSD, you may need multiple sensitivity readers. Before you engage a sensitivity reader, you should be clear on their areas of expertise. Some sensitivity readers have multiple areas of expertise. For example, a friend of mine needed (and found) an African-American sensitivity reader with a background in foster care and adoption. (She is a white author and her hero was a black man adopted by a white family.) The input this sensitivity reader provided to her finished work helped to add that extra touch of authenticity to her character and how the his story unfolded on the page.
- Sensitivity reads are a PAID service, so budget accordingly – as the old saying goes, time is money. Doing a sensitivity read and providing a thorough report on your manuscript more than merits payment. Many sensitivity readers charge a flat rate based on word count, but some may charge by the hour especially if they acting as a consultant during the early stages of your writing. Again, be clear on what fees are associated with the work you want done. Now…that being said, payment can take many forms...swapping or bartering skills is also common. Again – it goes without saying, but I’m going to say it anyway – be clear on what you want and how you are going to compensate your reader for their time.
Need help finding a sensitivity reader?
- Your first stop should be your fellow authors. Reach out to your writing friends and ask them for a recommendation.
- Reach out to community centers, local nonprofit organizations, the various online chapters of RWA (Romance Writers of America), or friends and family.
- Join online organizations like the Facebook group Writers for Diversity. (Writers for Diversity strives to create a safe place for questions and dialog for all authors seeking to create diverse worlds.)
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AUTHOR AND SENSITIVITY READER C. MORGAN KENNEDY |
C. Morgan Kennedy is an author of young adult alternative
history adventures and contemporary interracial romance. She has done
sensitivity reads for authors looking for insights on African-American and
characters of African descent during the Victorian Era and modern day time
periods.