Showing posts with label Karen Duvall. Show all posts
Showing posts with label Karen Duvall. Show all posts

Saturday, February 9, 2013

GUEST: Karen Duvall - Conference Versus Convention



KAREN DUVALL
I've been a huge advocate of writers conferences for the past twenty years. They're great for writers. You take workshops, gab with kindred spirits, meet pro authors and pitch your work to industry professionals. Conferences are awesome!

And once you're published, you still go to conferences because now you can lead the workshops, sit on the panels, and sign copies of your books for fellow writers.

But have you ever been to a Readers Convention?

There's a big difference between these two venues: Conference verses convention. There are benefits to both for authors, and for writers. Conventions are typically genre specific and targeted more toward the reader than the writer (though that distinction is blurred when it comes to romance conventions, which nowadays cover both).

When I lived in Colorado, I used to attend Denver's Mile High Con, a convention for fantasy and science fiction enthusiasts. It's a bit whackier than a conference, much more casual, and tends to have a festive atmosphere. Like a party. A costume party for fans young and old.

For example, readers sit in the audience while a panel of authors field questions, but unlike a conference, these questions are directed at specific books and characters created by the authors. No one is talking about plotting and black moments, or scene and sequel; the audience is asking if Zalgar and Princess Satrina will ever get hitched on the planet Zootsoo after the civil war. Or whatever. Point is, the readers at a convention don't care so much about the mechanics of writing a book, only about the story that's told.
Authors have an opportunity to read aloud to convention attendees. That can be exciting, and it motivates readers to buy your book in the convention Dealers room. The Dealers room is a little store where booksellers and artists sell their wares. They also have book signings there.
If you sponsor a Con Suite, you can promote yourself and your books to your heart's content. Just provide the munchies when you book the room for a couple of hours, and fans will follow their growling stomachs to find you.

Mile High Con isn't as big as World Fantasy Con or some of the other national conventions, so you won't see agents and editors milling around unless they've come to support their clients or authors. So no pitch sessions. As for workshops, you'll definitely see some of those, but not for writing. Instead you get to attend THE AVISTRUM Academy OF SORCERY, which is an interactive theater experience.

INCLUDES
SUNSTORM
KAREN'S NOVELLA
Another great thing about conventions is that they can be a lot less expensive than a conference. At least Mile High Con is. Only $60.00 for adults and $38.00 for kids covers the entire weekend.

A lot goes on at a convention, more than I can cover here. So if you want more specifics, visit www.milehicon.org for information about this particular convention. Not all cons have the same events, but I imagine they're similar. Whether you attend as an author or a fan, you're sure to have blast.


Saturday, October 27, 2012

Karen Duvall-The End of the World: A Good Reason for Romance



Dystopian romance? What a great topic to discuss! After the phenomenal success of Hunger Games by Suzanne Collins (one of my all-time favorite books), the dystopian theme for young adult fiction spread through the publishing world like wildfire. It makes sense that the subgenre would find its way into romance. World-ending drama combined with romance is a match made in heaven.

I write urban fantasy for Harlequin Luna, and last year I was invited to contribute one of the three dystopian-themed novellas for Luna's 'Til The World Ends anthology that will be released in January 2013. I'd never written dystopian before, but my editor felt my writing style and my voice would be a good fit for the project. Would I take them up on their offer? Hell's yeah!

Coming up with the idea wasn't as easy as I'd thought it would be. There are many ways the world could end, and this story was for Harlequin so it had to have a happy ending. A romance involving worldwide destruction with a happy ending is like an oxymoron. Calling it a challenge is an understatement, but I came up with four ideas and my editor chose the one I titled Sun Storm. Two of the others I still intend to write someday, but I'm going to leave alone the one about floods and sea monsters. That one is a bit of a stretch.

My first attempt at writing the story was a struggle. I write fantasy, and to me, the world-ending force of solar storms begged scientific explanation. By the time I was done, I'd gotten so caught up in plausibility issues that it leaned too far into science fiction and I had to completely rewrite it. So I delved back into my fantasy comfort zone and came at the story from a slightly different perspective.

Here's the blurb for Sun Storm that appears on the 'Til The World Ends anthology book cover:

Sarah Daggot has been chasing storms since she was a child. But after the biggest solar flares in history nearly destroy the planet, she becomes a Kinetic, endowed by her exposure to extreme radiation with the power to sense coming storms--in the cosmos and beyond. And she’s not the only one. Sarah believes the Kinetics are destined to join forces and halt the final onslaught of the sun. She’ll vow to keep trying to convince the one missing link in their chain of defense, the enigmatic Ian Matthews, up until the world ends.  

Though I thoroughly enjoyed building the world for my novella, I have to admit it was depressing at first. I had to create an atmosphere that mirrored the results of a cataclysmic event responsible for the deaths of millions, and a setting that crumbled civilization to a mere shadow of itself. That was tough to live with throughout the writing process, both for me and for my characters. But you know what? The story's background gave society a reason to work together to survive. It gave my hero and heroine a powerful conviction to overcome adversity. And it gave me the drive to ensure all went well in the end. Which it did.

Friday, March 30, 2012

The Joys and Challenges of Writing Urban Fantasy


 I've always been a huge fantasy fan of both film and books. I remember when the Wolfman and Dracula were considered horror, and now horror is totally redefined as something else. We're not so horrified of vampires and werewolves anymore. They, among other beasties, have become our fantasy.

KAREN DUVALL
Urban Fantasy has been around for a while, but I remember when there used to be some confusion as to what it meant. Most people understand epic fantasy and know it as having magical elements in a medieval setting, like LORD OF THE RINGS. So when you classify fantasy as "urban," it tends to raise a few eyebrows. Or at least it did when the genre was still new. It continues to baffle those who haven't yet been introduced to the imaginary world of contemporary magic.

I think one of the most intriguing aspects of urban fantasy is that stories are set in the present, and typically in a modern city (vis-à-vis urban). It's kind of mind blowing when you think about it. Many readers associate sorcerers and dragons and elves with thatch roofed villages and horse drawn carts. But in an urban fantasy we see these characters juxtaposed with modern cars, nightclubs, gangsta rap, computers, iphones, television, skyscrapers and everything else we associate with city life. It shakes up the fantasy genre and that's what I like about it. It's unexpected. There's a special something about everyday people confronted by extraordinary circumstances, and vice versa.

Some readers assume all urban fantasies are romances, but that's not the case. Most stories will have romantic elements, but romance is not the focus of the plot. It's typically used as a subplot portrayed in varying heat levels from sweet to hot enough to melt the fillings in your teeth. An urban fantasy is more of a mystery-suspense with magic and supernatural creatures. Some have absolutely no romantic elements at all.

I enjoy writing urban fantasy because it allows me to open up creatively and gives my imagination the opportunity to do just about anything it wants. That being said, it's not an easy genre to write well. Writing fiction is hard no matter what the genre, but when you invent magical systems with their own unique set of rules, and then have to explain your world in a way that doesn't sound like an explanation, you have a huge challenge on your hands. Everything has to flow seamlessly at a fairly fast clip and not be information heavy. Concepts must be easy to grasp for any reader. It takes a few drafts to get it right.

The market for tried and true urban fantasy--meaning the kind that features traditional monsters like werewolves and vampires--is rumored to be tapering off. That only means agents and editors are looking for something that transcends the genre and presents a unique story with the potential to be the "next big thing." Or at least stand out in a crowd. A new twist on an old saw. So not only should urban fantasy writers be at the top of their game as far as craft, their stories must also be on the cutting edge of originality.

I currently write urban fantasies that feature a modern knight descended from an order of Crusading female knights who are half angel and half human. The stories feature gargoyles, elves, curses, charms, immortal warriors, sorcerers, fallen angels, guardian angels, mummies, and a variety of other supernatural characters. The main setting is Denver, Colorado. The plots and characters are very different from the norm and my editor, Ann Leslie Tuttle with Harlequin Luna, told me that's precisely why it caught her attention. 

 
To have an urban fantasy published with a traditional publisher in today's competitive market isn't easy, but it can be done. It helps to think outside the box of what's expected. Try the unexpected and let your freak flag fly.

Karen Duvall, author of KNIGHT'S CURSE and DARKEST KNIGHT.

Twitter: @KarenDuvall