Showing posts with label One thing you wish writers knew about writing. Show all posts
Showing posts with label One thing you wish writers knew about writing. Show all posts

Monday, August 24, 2015

One Thing I Wish Writers Knew

By Courtney Pierce

This month’s subject is a fun one. I’ve learned tons of tips. I could wax on about the importance of honing craft. I often beat the drum of discipline for the long hours of focus needed to produce an engaging novel. I could talk forever about the cerebral dexterity we employ to write a book versus sell one. But these are the basics required of all authors. No secrets here. A few well-chosen workshops by reputable instructors can teach these technical skills.

Photo: Stuart Miles
But one aspect of writing comes from living long enough. At the ripe age of 55, it sparked for me after my first book. Yep. I’m a baby boomer. Here's my tip:

All great fiction is threaded with truth—not the litigious kind, but inner truth.

Writers come to the profession with a compost pile of life experiences. The older we are, the bigger the pile. People, relationships, places, bonehead decisions, and dinner-table stories get shoved into the grinder, then they steam and percolate. Out shoots rich fertilizer for fictional prose. While my characters are born from imagination, they only become real when infused with truth. Some characters receive physical attributes and quirks of people I know; others speak with unique turns of phrase or expose the inner fears of those who've crossed my path.

A former corporate colleague phoned me after she’d read one of my books and said, “I know who your antagonist is.”

“Do you now?” I said, and laughed. “I’m not talking.” The name, gender, and physical description of this person had been changed in the book. The only clues to a real identity were the inclusion of a few key personality traits—but they were real. I drew from those days of driving home in tears after being undermined, lied to, and pushed aside by a boss with a vicious, competitive ego. My private hell. Poisonous venom oozed through of my fingers and into one of my characters. Is that literary revenge?

On the flip side, my husband of 36 years got a twinge of jealousy with my new book Indigo Lake, due out later this year. One of my characters gets a love interest. This man looks nothing like my husband, so it took some finesse to make him realize I wasn’t fantasizing about another.

Photo: Stuart Miles
“Look closer, you goof,” I said. “He’s you in a different skin. My character responds to his predicament like you would. When Olivia meets Woody, the chemistry is me meeting you.”

My elderly mother ran into herself in my fourth book, The Executrix. As one of my toughest beta readers, Mom gave me “the call” after the second chapter.

“Hey! You killed me off before the book even got started?” she said.

I rolled my eyes. “No, Ma. It’s fiction. She’s not you.”

“I know it’s me. Ellen Dushane says things the way I do.”

Of course, Mom was right. Aren't all Moms right? While I didn’t exactly lift my mother from life, I infused a slow drip of her in my book. I wove the character of Ellen Dushane with tiny stitches of gold truth thread—fine stitches only visible under a magnification loop. Ellen becomes three-dimensional as the book progresses, even though she dies on page thirty. In the end, my Mom laughed and took it all in stride. I expressed “the real” at the safe distance of fictional prose, which crystallized my own fear of losing her. Beneath the outrageous humor in The Executrix, I confronted the ever-present lump in my throat for the inevitability of becoming a middle-age orphan.

The greatest compliment a writer can receive is when readers say their fictional characters are real. That they identify with their attitudes, moral dilemmas, and chemistry. My latest book spawned these comments, which is why The Executrix is now a trilogy about the Dushane sisters. The enthusiastic response allowed me to expand the arc of the three colorful sisters. Yes, they’re modeled after my own two siblings. At signings where my mother attends, readers ask her to autograph the book. Mom writes, Truth is stranger than fiction in jiggly scrawl.

Some stuff you can’t make up, and as a writer it takes courage to slip truth on the fictional page. Dig deep into the compost pile. That’s why my favorite T-shirt displays the saying, Careful . . . you’ll end up in my novel.

Courtney Pierce is a fiction writer living in Oregon with her husband of 36 years and bossy cat. She writes for baby boomers. Her novels are filled with heart, humor, and mystery. Courtney has studied craft and storytelling at the Attic Institute and has completed the Hawthorne Fellows Program for writing and publishing. She is a board member of the Northwest Independent Writers Association and is a member of Willamette Writers, Pacific Northwest Writers Association, and Sisters in Crime.

Colorful characters come alive in Courtney's latest novel, The Executrix. When three middle-aged sisters find a manuscript for a murder mystery in their dead mother’s safe, their view of Mom take a whole new turn. Is it truth? Or fiction? Sibling blood becomes thicker than baggage, while Mom looms larger in death than she was in life.

Look for the second book in the trilogy, Indigo Lake. Due out in fall, 2015. Visit Courtney's website at www.courtney-pierce.com. Her books can be purchased at Windtree PressAmazon, Barnes and Noble, Kobo Books, and at several independent bookstores in the Portland and Salem area.


Wednesday, August 12, 2015

Revision and Editing

Hi everyone! I am YA author B A Binns , writer of contemporary and realistic fiction for teens. My tagline tells you what I am about - Stories of Real Boys Growing Into Real Men - and the people who love them. 


For this post, you're getting the infamous piece of free advice (you know, the stuff that's worth what you pay for it according to the old axiom). I hope you will find this useful even though it costs nothing, especially if you are a beginning writer.

To me, there's nothing like opening up a book and finding an error on the first page I look at. And then finding more on the second and third and every succeeding page. Nothing that kills my pleasure in reading faster, especially if the book was written by a  friend and I really, really wanted to like it. I would have loved it, if only the author had done a better job of editing.

I take that back, there is something that kills the pleasure just as fast, and that is the book that bores me more with each page and serves as a cure for insomnia. The story idea was great, that's why I picked it up, but the author never put in the revision effort necessary to make the story live up to it's promise. I'm not talking about the occasional misplaced comma or spelling error or even the character who turns from a blond to a brunette halfway through the story sans benefit of a trip to the beauty shop for a dye job. Either of these can ruin a story, but lack of continuity and missing character motivations are the worst.


Revision and editing are two separate processes. They occur at different points in the lifecycle of a manuscript and produce two different results.  Both are needed to transform your initial draft into something readers will enjoy and recommend to their friends. It's important for author to  understand what both processes provide to strengthen and improve a manuscript.


Revision

You know what you want to say. In many cases you can see the story laid out in your head on an internal storyboard. Then you go to write that draft and what seems so clear in your mind's eye makes little sense on the page. Worst of all, you discover that scene A really cannot happen before scene C, or even before scene J.

Revision deals with your story as a whole unit and makes sure you say what you meant for readers to get. During the revision effort you go through the whole manuscript to seek out and eliminate problems like plot holes and wimpy characters. During revision you may expand upon ideas that are not as clear on the page as they were in your head.  Attention to the story as a whole makes your writing flow and sparkle.


Look at things like:
  • Scene order: Check to see if the all scenes have an emotional impact. Look for continuity errors. See if you need to move or remove entire paragraphs, scenes, or chapters. Or add new content.
  • The way the character's inner journey's progress in relation to the plot and each other. 
  • Word choice - (do characters speak softly or do they murmur)
  • Sentence fluency: Are your sentences varied yet easily readable and organized? Do you start too many the same way?
  • Ask yourself overall questions about your story and writing voice. For example: Do I really need all of these characters or can some roles be collapsed into one individual? Or: Is the motivation for my character's action clear to a reader?
Whether your theme is Love Conquers All, or Might Makes Right, revision helps ensure that message shines from your pages. Revision is often a continual process of writing and re-writing.

Word of caution - Revision means change and not all change is for the better. You may decide that what you wrote was better the first time, or you could decide that you really need a different change. Revision can be a very messy process. This is one situation when talking to yourself is valuable. Articulate WHY you need to make a change, why you think your story is not working the way it is and what you're trying to achieve before you make the change to reduce the possibility you will need to change yet again.

Editing


While revision is done by looking at the overall story, editing happens at the sentence level. Editing is the step that makes your story look better and improves the correctness of your message. Editing is for sentence-level details and changes. Do this after you have an acceptable draft - there is no point in editing a chapter and then discovering you need to change the entire chapter and/or  deleting it. Editing primarily involves checking for flaws in general grammar and writing conventions.

First of all, do not, not, NOT rely on spell check. (You might be surprised how many people take spell check as the ultimate authority and never question it's suggestions or changes.) A word can be spelled correctly and still be the wrong word for particular sentence. And, as one person who ended up typing U. S. Pubic Health Service can attest, autocorrect can be your worst enemy.


I always revise anything larger than a paragraph on a hard copy, on the screen I have difficulty seeing the big picture of a full scene or chapter.



No matter how painful it is, (and I admit to hating the editing process, especially around the subject of commas) this step can't be skipped. I find that reading the story out loud helps because my ear finds things like clumsy rhythms, repeated text or words, awkward and complex sentences, missing words, and similar problems that my eyes miss because they KNOW what I meant to say.

My Own Process


Someone once asked me how many times I edited my work. I realized she meant editing and revision, but I really couldn't tell her. I don't count. If I did, the number would be so high even I would become depressed. I revise,  edit, and revise again, rinse and repeat, time after time. I go through cycles when I absolutely hate my own words,  others when, in the words of the A-team's leader - "I love it when a plan comes together." I don't stop until the message is clear to beta readers. Because no matter how beautiful you think your babies are, you can't let them out in the world on their own until they are ready.

I usually revise and then edit, and then revise and edit again. And then I get someone else to look at my work, because I can't see all of Junior's flaws. A developmental editor can help during the revision stage. A line or copy editor functions during the editing phase. Really consider making use of these kinds of professionals, especially if you intend self-publishing.  To paraphrase an old commercial: Quality should go in before you attach your name.

Right now I am coming to the end of the cycle with my first MG novel. Literally, the last round of edits are almost over, there is one major scene that needs a revision/rewrite and then final edit, and then it's off to my agent (after almost a year of writing, revision and editing). To me the time and effort was worth it. I hope readers will say the same thing. As for you guys, please forgive any errors you find in this post. I know there must be something wrong, there usually is.

Now, consider sharing your thoughts and/or process with others. I'd love to hear from you about your editing and revision efforts.