Showing posts with label australian historical fiction. Show all posts
Showing posts with label australian historical fiction. Show all posts

Saturday, October 22, 2022

Things That Go Bump in the Night in Australia by Susan Horsnell

As an Australian, Halloween is not a celebration that was widely recognised until more recently so like many families, there is no tradition for mine.

I do have a huge interest though in the past, anything historical, rituals and traditions. I do also believe in spirits but this was not always the case.

My husband and I, along with our almost 2 year old Jack Russell-Miss Gemma-Jean, have been travelling the state of Tasmania, Australia in our caravan (RV) since February this year. One of the main reasons we came over was to explore the natural, untouched beauty but what I have found is an amazing history that is almost unknown. For years successive governments and individuals have seemingly attempted to wipe the past of the island, one which is extremely dark in some instances, from the history books with only a few exceptions. 

It has proved to be Nirvana for me and I will be bringing out numerous Australian Historical Novels under the name of Annabel Vaughan beginning in 2023. Most will focus on the Convict Days and will fictionalise, while keeping a large amount of fact, some of the horrendous treatment and stories of those transported from Britain. 

Identification of young girl 
transported to Tasmania.

The first story I have underway is in diary form and covers the story of Millicent ‘Millie’ Staples. Her story titled “The Cascades: A Female Factory Convict Love Story”  will take readers from her transport at the age of 11 through to her love story with one of the guards and eventual freedom. Her history is one unknown to her present day family until the diary is found as previous generations found the history deplorable and a stigma not to be acknowledged.

11, you ask? I have actually increased the age of her transport from 9 and made her a female who was sent to The Cascades Female Factory in Hobart. The factual story is of a 9 year old boy who stole some toys and was transported to the Port Arthur penal colony! Yep, 9 years old! As I said earlier, it is an horrendous past.

Now, to the title of my article. Earlier this week we visited the ruins of The Cascades Female Factory. It is a place where dogs are allowed and so we had Miss Gemma-Jean along with us. There is not a lot left of the site as there were attempts to wipe it from history but fortunately, it has now been noted as an important part of history and is World Heritage Listed to protect further decimation. The only original building remaining is the Matron’s Quarters.

Baby Cradles at The Cascades
Yards 1, 3 and 4 remain with some of the original stone walls and there are markings as you will see in the photos that show where original buildings around the perimeter once were. There were around 2,000 deaths of babies and young children at The Cascades during it’s lifetime, a terrible tragedy. Girls fell pregnant to guards and men they were ‘consigned’ to outside the factory. Once pregnant, they were sent back for punishment.

Two thousand names of babies and young children 
who died at The Cascades.
Miss Gemma-Jean was fascinated by various ‘smells’ in these yards but when we reached the area where the Solitary Confinement Cells had been located, she became so distressed, she actually squealed and my husband picked her up and carried her away from the yard and into the information building. She was shaking and her heart was racing. It was some time before she settled and the rest of the visit was uneventful since ‘daddy’ carried her to protect her from having it happen again.

A forgotten soul. Say her name

Inside, the staff petted and soothed her while informing us there had been several reactions from people in that solitary confinement area. I believe tortured souls walk the earth in that once soul-destroying site.  It would be interesting to know if those souls really do go bump in the night when darkness falls and all is quiet.

Happy Halloween to your and your families.

Sue Horsnell

I write in several sub-genres of romance so check out my website at: http://susanhorsnellromanceauthor.com

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SUSAN R. HORSNELL

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Thursday, December 26, 2013

LEAVING MY CHILDHOOD HOME - MARGARET TANNER


FAREWELL TO AN OLD FRIEND AT NO. 29

The Real Estate Agent’s board said it all - FOR SALE – DECEASED ESTATE. There was a large green SOLD sticker plastered across the poster.

I came to visit you one last time because after tomorrow you will be no longer ours. As I stood at the front of No. 29, your tile roof seemed a little drab, but your weatherboards – how well the new white paint suited them, and the mission brown trim gave you almost an air of elegance.

You will never be a grand old lady like the Victorian and Edwardian houses that fetch such high prices. No fancy iron lacework or intricately designed facade. You were a working man’s house, an old “L” shaped weatherboard.

A soldier returning from the war built you, using his deferred army pay as a deposit, and times were tough. That’s why your verandah roof is covered in malthoid and your walls are lined with plaster board. There are no fancy fittings on the doors or windows either.

You sheltered the man, his wife and three children from gusty winds, as you stood all alone for a time in a great empty paddock. You were only half built when the family moved in, but they were thankful for the two rooms that were habitable.

There were no roads, and in winter the children squelched in mud, then tracked it all across your floors. It snowed one day, and the family cooked toast on a fork over the open fire because the electricity had gone off.

At first, only generaniums could grow in your heavy clay soil, but years and loads of sandy loam later, camellias, daphne, azaleas and numerous annuals grew triumphantly around you.

You have no front fence now as it was taken down years ago. I trudged up the concrete path leading out to the backyard. The rotary clothes hoist looked almost obscene when I remembered the old fashion line, with the wooden prop, that my father had put up when we first moved in.

Right down the back, under the big blood plum tree we built such cubby houses. A mere lean-to, a double storey, fruit box mansion and there was even one masterpiece with a secret room hidden behind an old tablecloth.

Ah, a wheel from my brother’s old pram wedged in a forked branch of the Granny Smith apple tree. How many times had the little fellow toddled off with his pram down to the main street on his ‘way to work.’ Desperate searches were instigated by my frantic mother when she realised her son had gone but somehow we always managed to find him again without the aid of the police, even if it did take an hour or two. Of course, those were the days when you could wander around at any hour, leave your windows and doors open and not be violated by some thug.

The old wash house. I pushed the door open and ran my finger across the concrete troughs. Was there just the slightest tinge of blue? A legacy from the Reckitt’s mum always used to whiten her sheets? I stared at the space where the old copper once stood. It not only washed our clothes, but provided bathwater also for a time until we could afford a hot water service.

The floor was concrete because we never did put lino or any covering on it. Unlined walls too. Chalky scribble on the woodwork remains, a testament to our lack of artistic talent.

One of the windows was boarded up, but you couldn’t see it from outside, because the branches of a lemon tree covered it.

My brother had kicked his football through the glass in a closely contested afternoon game with some of the neighbourhood kids. I remember there was hell to pay later that night though.

I fingered the back door key. How smooth and suddenly cold it felt. I had promised the new owners I would leave it inside and go out the front when I had finished.

I stood in the vestibule, it would be called a family room now, and it was sad to see the place so empty. The green room, not much more than a sleep-out really, had belonged to my brother. The pink room, we girls shared that, while our parents had the blue room. The floorboards creaked ever so slightly – was that a damp patch on the ceiling?

Mum often regaled us about the time in the early days, when I wandered up the hall with a little mouse following a few steps behind me. My sister and I received dolls for Christmas one year, but we didn’t get prams, so we put our dollies in a shoe box and dragged them along by a piece of string.

The 21st birthday and engagement parties, you remember them don’t you No. 29? We were able to jam a hundred people in here.

Loungeroom. You were painted in apricot kalsomine once. I think I like it better than the green flat plastic you wear now.

The fireplace hasn’t changed much though. It hasn’t been used in years, an electric heat bank provided warmth in later times. It was easier and cleaner, but not to be compared with scented pine logs and dancing orange flames.

Mantelpiece, you look so bare now, denuded of your photographs and little ornaments. On one end had been a picture of my mother’s brother in his Air Force uniform, down the other end was a portrait of my slouch hatted father. Yes, the family had fought for King and country.

We kids hadn’t been allowed in the loungeroom much. We spent most evenings around the kitchen table listening to the daring exploits of Biggles and Tarzan.

Oh, the excitement when television first came in, the whole neighbourhood went mad. We were one of the last families to get a set, but it didn’t matter because we made it in the end.

Well, this is goodbye No. 29, I won’t be coming back to see you again, and no, I’m not crying, I’ve just got a speck of dust in my eye – that’s all. No-one sheds tears over a house.

It’s a lie, of course I’m crying, and you’re not just a house. You’re my childhood home. You sheltered me and kept my secrets. What would have happened if anyone had found out that it wasn’t a log rolling out of the fire that burned a hole in the carpet, but a little girl playing with matches?

I walked away, and then turned around for one final look. You were the best No. 29.
Merry Christmas and a Happy and safe New Year to everyone.
***
Margaret Tanner writes historical fiction with romantic elements.
Margaret's Website: http://www.margarettanner.com/