What's New In Publishing, and What Isn't

There’s always something new in publishing. New digital presses are still forming, newer formats like audio and apps are trending, and the big publishers are always creating new imprints or touting this month’s hot genres. With the use of smartphones skyrocketing, more people are reading on their phones while waiting in lines, etc., so reading in quick bites is more popular. I am guessing short stories, novellas, and episodic novels will have bigger sales in the near future.  

While those are all interesting to follow, and sometimes fun to predict what will be the next big thing, I find it comforting to reflect on the constants.

No matter what form it takes, all readers really want is a good story. Whether your favorite genre is historical romance or sci-fi or paranormal mystery, you won’t read or listen to it for long unless the universal elements are there. 

We all crave: 

• characters we can relate to or root for 

• in extraordinary situations 

• doing the things we might dream of or shudder to contemplate. 

If the character is boring or the plot is dull, no shiny, new delivery system or sub-genre will make a difference. If the writing is up to snuff, then we readers can sit back and enjoy the story knowing we are in good hands. 

In this holiday season, I wish you wonderful books in whatever format you enjoy the most. All the best in 2017, too! :-)

Lynn Lovegreen grew up in Alaska, and still lives there. She taught for twenty years before retiring to make more time for writing. She enjoys her friends and family, reading, and volunteering at her local library. Her young adult/new adult historical romances are set in the Alaska Gold Rush, a great time for drama, romance, and independent characters. See her website at www.lynnlovegreen.com. You can also find her on Facebook, Goodreads, and Pinterest.

Ebenezer Scrooge -- Defying the Rules of Good Writing?

By Robin Weaver

Say “Ebenezer Scrooge,” and odds are most folks will immediately envision a selfish, miserly old man with no appreciation for fun or kindness. One-hundred-seventy-two years after his creation, the main character from Charles Dickens’ A Christmas Carol is not only instantly recognizable, but almost universally hated, evidenced by our society’s continued use of the term “Scrooge” to describe a miserable penny pincher.

Which makes me wonder why we continue to read after page one. According to the guidelines of good writing, the hero must be someone to whom we can relate, a person we can envision being. Thank goodness no one told Charles Dickens the main character had to be likeable.

Clearly we don’t like Scrooge, so why does Ebenezer work as the main character?

**Does Scrooge work because Tiny Tim is introduced early in the manuscript?  Ask anyone in advertising--babies and puppies sell. If you want a story to tug at the old heart strings, insert a spunky handicapped child. Works almost as well as a cute little Maltese (even when that child is played by Mary Lou Retton).

**Perhaps Dickens’ self-promotion contributed to the success of A Christmas Carol. Charlie was the first famous writer to read his work in public (at least, he was the first one according to my research).  And our self-promotion guru didn’t just read, he performed, creating a special version of history just for public recitation—with stage directions scribbled all over his script. Dickens dressed for the occasion as well, always wearing full evening dress, with a bright buttonhole, a purple waistcoat and a glittering watch-chain. And you thought creating a trailer was hard work. J

**Some might say A Christmas Carol works because. Ebenezer grows and changes. It’s fairly easy to identify the stages of The Hero’s Journey in Dickens’ tale. Only does Scrooge really change? Our hero only “sees the light” after some imaginary ghosts scare the Dickens out of him. Scrooge “changes” to save his own hide so is that really changing?  Sounds like a new version of selfish to me.  Furthermore, we all know how the story ends, but do we ever think of the “made-over” Scrooge? Nope, he’s the old miser who won’t say “Happy Christmas” to little Timmy Cratchit.

**Or maybe, just maybe—the main character doesn’t have to be likeable. Let’s face it, we American’s like our dirty Christmas stockings.  How else can we explain our fascination with the Sopranos, America’s Most Wanted and Keeping up with Kardashians (etc., etc.).  Let’s be honest, there’s a bit of self-righteous appeal in being morally superior—even it that superiority is graded on the curve.

Whatever the reason for the enduring popularity of A Christmas Carol, Dickens (in this blog author’s humble opinion) illustrates that of all the rules of writing, only one universally applies: If you tell a good story, you can break all the rules.

My Holiday Release....
FULL CONTACT DECORATING
Katarina Snodgrass believes she can get her life back on track. If she can regain her title as the Christmas Tree Contest champion and re-snare the man of her dreams. Too bad soap-opera star, Tripp Anthony, isn’t interested—at least he’s indifferent until Hunter Montgomery arrives and convinces Katrina she needs to make her former flame jealous.The plan succeeds, but Katrina finds herself equally attracted to Tripp and Hunter, the man she loves to hate. Her heart is torn, but can she truly choose either man while she guards a horrible secret?

Ebook available via Amazon November 30.

Print version available now at The Wild Rose Press.