My Favourite Romantic What?

Hi, I'm Pippa Jay, author of SciFi and the supernatural with a romantic soul. And I have a terrible confession to make. I am not primarily a romance reader. *hangs head in shame* Yep, you have a traitor in your midst! My home genre is SciFi, or perhaps speculative fiction since I read a little fantasy and paranormal too. A lot of early stuff I read wasn't labelled romance and I didn't recognize it as such until I discovered science fiction romance, but I read as much if not more non-romance.

But since discovering SFR, I've found that stories with romance woven into the speculative elements satisfy me a whole lot more than those without. I want stories that really make me feel something, not just entertain my imagination. The emotional rollercoaster is as important as the world building.

So when I first saw the topic title, I struggled. I definitely have some favourite romantic tropes now. Enemies to lovers is top of the list at the moment (and the theme of my last two SFR releases - Imprint in Tales of the SFR Brigade anthology, and Tethered), but I wasn't sure about what constituted a romantic cliche. Research time!

So I Googled Romantic Cliches and found this list. http://www.queen-of-swords.net/Articles/OverusedRomanceCliches.htm I read it all the way through...and couldn't find a single one that I liked. Maybe because the creator has focussed on the negative ones, or maybe because I haven't read enough romances. *slaps wrist* But I did come across a couple I've used.

"6. The heroine claims she can take care of herself as she steps on a rattlesnake and simultaneously shoots herself in the ear." 

Well, not a rattlesnake, but my heroine did insist she could take care of herself, then ran into an antagonist she really couldn't handle alone. So I guess that is a cliche I like. It's not that I wanted my hero charging in on a white horse to save her, but in this case it was the calamity necessary to get the hero to accept and embrace what he was and master his alien abilities in order to save her. Without that, he would have gone on denying what he could do, and she would have died.

"Nine Months Later…
32. The heroine has a secret child. So first, she most likely hasn’t used contraception. Second, she hasn’t told the hero that she’s expecting his child..."

Okay, I've done this one too. But I did make a big point about the lack of contraception, and reasons why the whole situation came about. I can't go into too much detail as this book hasn't even released yet. >.< But I felt I gave a reasonable explanation for the drama.

So are cliches a bad thing? I guess it depends on how much of a cliche the reader finds it, based on their reading history, and/or whether it's one they particularly hate or love, and how well an author tackles it or perhaps puts a new twist on it. Perhaps they even deliberately seek certain ones out. And maybe next year I'll have learned a bit more about them all.

Are there particular tropes you consider cliches? And are there particular ones you love or loathe?

http://pippajay.co.uk

Problem Tropes and Sterotypes

Hi everyone!
I am YA author B A Binns , writer of contemporary and realistic fiction for teens. My tagline says it all - Stories of Real Boys Growing Into Real Men - and the people who love them. This month I join the other Genre-Istas in talking about romance tropes.

Last month I conducted a class for writer's seeking to add the Spice of Diversity to their writing.  One of the big lessons was on problem tropes. Of course, there is always the Too Stupid To Live blonde, or the Red-head who Just Isn't Like The Other Girls. The ones most romance writer's know to keep away from.  If they don't know it, their readers, or lack of readers, will clue them in fast.

Our class looked at a few others that sometimes creep in when writers try to add characters that aren't like themselves. The results of these tropes can be stereotypical characters that may be considered caricatures of a group.

Most writers are out to increase their reader base - the members of the class were no exception, many noted that as a prime reason for wanting to include diversity in their manuscripts.

It's one of the reasons I'm looking forward to Selfie. Instead of your typical Asian Nerd Who Can't Get A Girl trope, this new romantic comedy will follow the trope embodied by My Fair Lady where a girl who wants to belong (via social media) engages the help of an expert (marketing guru) and the interracial couple end up falling for each other. So far it looks smart, it looks sexy, romantic, and oh, so funny.

The Asian Nerd is only one of the tropes we learned to avoid. There is also the Asexual Cripple trope where the writer makes the mistake of forgetting that people with disabilities are still people with feelings, urges and needs, as well as a desire for an HEA. In The Drowned Cities, the biracial heroine is missing a hand - amputated by enemy soldiers in this war-torn futuristic Earth.  But she's still very real, and grows to be interested in the equally real hero who can't decide what side she's really on.

Another problem trope some writers accidentally fall into is the Wise-cracking Minority Best Friend where the hero or heroine has a minority friend who is there solely to provide comic relief and never gets to have any of the romance.  I partly spoofed this trope by combining it with the Red-head best friend trope in my second book, Being God. Here my African-American hero has a white, red-headed best friend. I make Cesare Russo easy-going, but not wise-cracking, and instead of comic relief he and the hero get into and out of danger together as they both travel romantic arcs in search of romance - at least as much romance as you can have as seniors in high school.

There's nothing wrong with tropes. They make a wonderful background to use when taking readers (or viewers) along for a ride. No matter what trope you use, it's only as good as the writing.  When we writers use them, we need to stay alert. Use all tropes wisely and remember to jazz up that trope up for the modern world and modern reader.  Then we succeed in both pleasing our current audiences AND bringing in new ones.