Showing posts with label writing romance. Show all posts
Showing posts with label writing romance. Show all posts

Tuesday, April 16, 2024

Bragging: Or At Least Talking Myself Up...A Bit - - - - by Delsora Lowe

This month’s theme is bragging, ah, er, I mean, telling all of you the three things that I think are my strengths or things I do well.

That’s a hard one. Because, even though there are certain things I love to do, I never feel as though I am great at any of them. But I have to admit, maybe I am good at some of them. And at the same time, always trying to improve.

The obvious is I am good, getting better, but not a star, at writing. I have practiced a lot since I was a kid. My freshman year at a new high school, my teacher submitted a story I had written from a child’s point-of-view, about his little red wagon. It ended up in the school’s quarterly literary magazine. I wanted to run and hide, because I thought people would think I had a childish mind. I survived the ordeal—which wasn’t the ordeal my imagination thought it would be.

My three grandsons, who are all in high school now!

My first-year college English professor “kicked me out” of the required grammar class, because I already knew “that stuff.” As an aside, for the few weeks I was in his class, he also drilled in the use of the Oxford comma. When I went back to finish my degree fifteen years later after marriage and kids, my professors in various disciplines, asked me where I learned to write. So, I offer many thanks to my high school English classes, that at the time were pure torture. However, I did learn to write.

Here are two other areas that I think I am able to achieve in.

First: Cooking—and by that, I mean, I am able to make anything out of nothing. To me food is not only nourishment, but inspiration. I love recipes, but I never follow them. Oh, I try. But then I say to myself…hmmm, I bet if I add this or that, this recipe will be better. Or I look in the fridge and groan, because I haven’t been to the grocery store lately, and I make up a recipe out of anything that is still useable in the fridge. Or I scan the cupboards. I mix and match and add a tidbit of this and a spoonful of that, and a shake of something else.


I have my maternal grandmother and both my parents to thank for showing me how it's done in the kitchen. Use up leftovers in inventive ways. Never let anything go to waste. And always have enough wine - whoops - channeling my dad. Here's to you, Dad, as I hold up my stemmed glass toward the heavens.

I do the same thing in the grocery store since my list says bread, meat, fish, veggies, salad stuff, soup, etc. I have to feel “in the mood.” Today the butternut squash calls to me. Next time it might be broccoli or turnip or beets or avocado. And then as I wander the isles, or survey the meat and fish displays, or check out cheeses I have never tried, I devise my menus for the next few days. Okay, so I may be one of the few who love to grocery shop, and I especially love to wander the farmers market, where each week the offerings are different, depending on harvest times. My brain snaps into creative cooking mode.

Living in Maine – lobster, a favorite ingredient in a meal

The second other thing I am good at is TALKING. I can hear the groan from the peanut gallery of those who know me well. Yup—she talks ALL THE TIME. I love to talk with friends. But I also chat up the store clerk or cashier, anyone in line with me, or anyone searching for the same item in a store. But that love of chat came in handy in my chosen, and not-so-chosen, careers and jobs in hospitality, retail, event planning, government, non-profits, etc. In those jobs it’s a requirement to speak to strangers.

And out of that type of work, I also became good at being a connector of people.

            One example is that during 9/11, I worked in a school in Washington, D.C. It was also my alma mater. We had alumni all over the country, as well as living overseas. I received many calls from people worried about their former classmates in D.C. and N.Y.C. I also heard from many in those affected areas reporting in. I became a conduit between friends.

Part of my job was organizing gatherings for alumni all over the country. That included finding venues and caterers, plus programming for each event. That might include bringing along a beloved professor, or finding an alum in the area who had an interesting career they could speak about, or who had authored a book. I also used to connect alumni from different generations who had things in common—like similar jobs, lived in the same area, or had the same interests. Or those alumni who were looking for jobs and those who might be mentors in that search.

Working in non-profits and alumni relations, connecting like-minded people to resources, job opportunities, or other people who like the same things or are in similar careers, becomes a given. And now, with a network of writers all over the country, it is fun to connect other writers to resources, or authors who write in similar genres, or have areas of expertise needed by that author. And…luckily, they do the same for me. Writing romance is one of my joys in life. And with that goes staying in touch with my good friends, and connecting with authors who may have advice to help me on my journey.

It’s all about the networking, no matter whether it is a job search, connecting with people who have similar interests, jobs, or hobbies, or a simple helpful gesture guiding a lost shopper in the direction of the aisle filled with ice cream. So put on that bright smile and connect. You might be surprised at how much fun it is, even when you know you may never cross paths with that person again.



What is something you think you do well? 
And why do you believe you do this item well?

 


Check out Starlight Grille

Welcome to Serenity Harbor, Maine, a small coastal town where the Starlight Grille is a favorite meeting place. This sweet, with a touch of heat, 3-book collection includes a new bonus short story and a Starlight Grille recipe.

 Amazon(also in print)

Booksto Read

 

~ cottages to cabins ~ keep the home fires burning ~

Delsora Lowe writes small town and contemporary western sweet and spicy romances, from the mountains of Colorado to the shores of New England.

Author of the Starlight Grille series, Serenity Harbor Maine novellas, and the Cowboys of Mineral Springs series, Lowe has also authored short romances for Woman’s World magazine (most recently, an Easter romance in the April 1, 2024 edition.) The Love Left Behind is a Hartford Estates, R.I. wedding novella with Book 2 on the way. A Christmas novel (The Inn at Gooseneck Lane) and novella (Holiday Hitchhiker – the youngest brother of the Mineral Spring’s ranching family) were the most recent releases. Look for book 3 of the cowboy’s series, as well as book 2 of the Hartford Estates series, coming soon.

 Social Media Links:

Author website: www.delsoralowe.com
Facebook Author page:
https://www.facebook.com/delsoraloweauthor/community/
Amazon Author page:
https://www.amazon.com/Delsora-Lowe/e/B01M61OM39/ref=ntt_dp_epwbk_0
Books2Read Author page:
https://www.books2read.com/ap/8GWm98/Delsora-Lowe
BookBub Author Page: https://www.bookbub.com/authors/delsora-lowe-93c6987f-129d-483d-9f5a-abe603876518
Goodreads Author Page:
https://www.goodreads.com/author/show/16045986.Delsora_Lowe
Instagram: #delsoralowe / https://www.instagram.com/delsoralowe/

Photo Credits:
Smile:
Smile Clipart Images | Free Download | PNG Transparent Background - Pngtree

Tuesday, May 18, 2021

Ten Fun To-Do Activities to Celebrate Getting My Vaccine! ... by Delsora Lowe

May is a special month, as the weather warms up, flowers bloom, and folks start putting in gardens and getting outside. And May 10 marks several different things in my life.

It’s my dad’s 102nd birthday. I miss him so much. I know if he were with us, he’d be celebrating mightily. Before he turned ninety, he decided he would throw himself a big party. My sister and I already had big plans underway, so we ended up telling him about the surprise. Instead of being disappointed he had ruined our surprise, he threw himself into helping us organize. Luckily, everything he wanted, we already had on our list. It was a great party. He passed away a few weeks prior to his ninety-first birthday. But I’ll always have my memories of that fun time—both the organizing and the partying.

On May 10, 2019, I released the first book in my Cowboys of Mineral Springs series. At the time, I had written drafts for five books in the series and started a draft on book 6. I released book two in October 2019. I really need to get back to editing the rest of the series.

On May 10, I will have had my second Covid vaccination and will have quarantined for 2 weeks! Yay! So, without further ado, I will list ten things I really want to do this year—all, sad to say, still masked. But best to continue to be safe. Besides, I discovered when I wear my mask walking, it helps keep the allergens in the air at bay and I am able to walk without wheezing. All good! It’s important to focus on every little positive thing we can and not obsess on the negative.

So, in no particular order, my top ten things to do this year (and in honor of RTG’s Ten Year Anniversary):

1)      Enjoy a backyard cocktail or cup of tea with friends.

2)      Hit the local food truck scene and sit on a bench in the sun on the town mall to enjoy whatever I buy.

3)     Spend the 4th of July (and my grandson’s birthday, later in July) with my family, watching fireworks over the water, from my son’s front deck.

4)      Enjoy the beach with my 3 grandsons later this summer as they attend surf camp (cancelled last summer.)

5)     Enjoy time spent with my daughter and family when they visit from Colorado (cancelled last summer.)

6)     Sit outside in the sun with my mom at her retirement community. We haven’t had face-to-face time since last summer - except waving to her through her apartment window.

7)     Go to the farmer’s market and other outdoor events.

8)      Get together in person for monthly fall meetings with my writers’ group (also cancelled.)

9)    Attend a fall conference (also postponed from last year.)

10  Attend my daughter’s wedding (which means getting on a plane without freaking out, and still having to wear a mask for the five-hour trip.)

Here’s to a good rest of 2021. 

And huge congratulations to the Romancing the Genres blog on ten years of success!

What is something you really look forward to?

  The Love Left Behind

Amazon

https://www.amazon.com/Love-Left-Behind-Hartford-Estate-ebook/dp/B08L5N5DS9/

 Books2Read   

books2read.com/u/mglVqK

 

 ~ cottages to cabins ~ keep the home fires burning ~

Delsora Lowe writes small town sweet and spicy romances and contemporary westerns from the mountains of Colorado to the shores of Maine.

Author of the Starlight Grille series, Serenity Harbor Maine novellas, and the Cowboys of Mineral Springs series, Lowe has also authored short romances for Woman’s World magazine. Her newest novella is The Love Left Behind.

SOCIAL MEDIA LINKS:
Author Amazon Page: https://www.amazon.com/Delsora-Lowe/e/B01M61OM39/ref=ntt_dp_epwbk_0

Author Books2Read Page: https://www.books2read.com/ap/8GWm98/Delsora-Lowe

Author BookBub Page: https://www.bookbub.com/authors/delsora-lowe-93c6987f-129d-483d-9f5a-abe603876518

Author Goodreads Page: https://www.goodreads.com/author/show/16045986.Delsora_Lowe

Author FaceBook Page: https://www.facebook.com/delsoraloweauthor/

Author Instagram: #delsoralowe

Author Website: www.delsoralowe.com

Author Blog: http://www.delsoralowe.com/blog


CLIP ART
:

Fireworks - free fireworks clipart - Google Search

Food Truck - Free Food Truck Cliparts, Download Free Food Truck Cliparts png images, Free ClipArts on Clipart Library (clipart-library.com)

Cocktails - free cocktail clipart - Google Search

Farmer’s Market -  free farmer's market clipart - Google Search

Engagement - https://pixabay.com/illustrations/love-romantic-relationship-together-3581038/

 

Wednesday, February 27, 2019

From the Heart to the Heart

by M. L. Buchman

I write romance. There's a very direct and obvious (mostly) connection between the author and the reader in romance. A writer of romance wants to connect to a single, very specific emotion of the romance reader--true love.

I also write science fiction with the hope of connecting to wonder.
And thrillers, hoping to connect to adventure and thrills.
And...

I sometimes think as romance writers that we lose a clear view of the range and scope of the ways we connect ourselves to readers. The little list above is far too narrow. Too simple.

An example: I started a new short story series recently, US Coast Guard #1 Crossing the Bar. This story is set in what is generally acknowledged as the most dangerous section of ocean there is for shipping: the Columbia River Bar (the area where the Pacific meets the Columbia River just west of Portland, Oregon). Yes, I connected to fans through the love story. But I also connected to a fan who has an absolute fascination about the Bar itself. I connected to their sense of danger of a place while I telling a romance story.

I'm left to consider how I can connect to a fan's heart in ways that I didn't previously understand.

Within the love story, there is the happy ever after, of course. But what comes before that? What engages the reader? Let me turn that question around: What engages me?

I'm fascinated by inner conflict. By the discovery of self as separate and distinct from our pasts. I've written of orphans and happy families. I just finished the first draft of a story about a family who loves their daughter, but never understood her and still doesn't.

Curiously, I write very little about the healing of those families. Yes, I'm focused on the heroine and the hero finding their own future, but the healing of the family is not something I almost ever deal with beyond the most superficial way. Why? Because of my own separation from my birth family? The Buchman clan was never a close one. They were dysfunctional enough that I didn't want peace and reconciliation, I wanted distance and learned self-reliance.

That is a story I've been telling through well over a hundred romance titles.

But I must ask: Have I distanced myself from other fans by not plunging into family reconciliation? I love watching the movies where that happens--even when the resolution is brilliantly dysfunctional yet good. Is it because that isn't my type of story to tell? Or that I simply haven't told it yet?

I write military romantic suspense. I'm trying to connect to the reader's heart through their adrenal gland. As funny as that sentence sounds, "And...He goes for the hand off, folks. The adrenal gland has it. Open field to the right, but he cuts left. Oh! A hard hit! A stumble, but the gland releases a fresh blast of hormones--look at the cortisol flow--and he's in the clear again..."

Okay, maybe I killed the metaphor there, but I couldn't really resist. Why? Hmmm... Now that I look back, I see that I was actually going after the reader's humor gland. (Yes, I know there is no humor gland, but there bloody well should be. How else are we supposed to get through the day? I'd appreciate it if someone could design me one soon.)

I write thrillers. Which isn't just an adrenal gland thing. Sure, a thriller is the roller coaster ride of fiction. But it also brings in a mental excitement (connecting to the readers' heart through their brains). "What's going to happen next? How will they survive? Oh, cool, I never saw that coming. Ha! Neither did the hero. That'll humble the dude for bit. No, it's James Bond. Nothing puts him in his place. Oh, but that did."

How do I find my heart-to-heart connection with the fans? What do I write better than anyone else?

MY point of view. My slice of the world. By connecting more deeply to my heart, that's how I touch the readers'. Not by overthinking which link I can build between us.

Why would I think about the setting of the Columbia River Bar would build a connection to a reader? I should have, because it's so obvious. I wrote about it because I, me, I'm the one who found that setting fascinating and brought it to life for my fan.

I'm the one who loves a good romance. Cares about present family more than past family. Thinks thrillers are a great ride. Is fascinated by the capabilities of technology whether it's a Black Hawk helicopter, a Formula One race car, a Glock 19 handgun, or a spaceship (even though I've never touched any of them). And wants nothing more than to pass on the feeling of the Happy Ever After heart connection that I found with my wife.

For that reason, connecting my heart to my fans, I write romance. I write science fiction. I write thrillers.

M.L. "Matt" Buchman has over 60 novels, 70 short stories, and a fast-growing pile of audiobooks out in the world. M.L. writes romance, thrillers, and SF&F…so far. Three-times Booklist "Top-10 Romance Novel of the Year." NPR and B&N "Best 5 Romance of the Year." RITA finalist. As a 30-year project manager with a geophysics degree who has: designed and built houses, flown and jumped out of planes, and bicycled solo around the world, he is awed by what's possible. More at: www.mlbuchman.com



Saturday, August 5, 2017

A Man Writing In a Woman's World

by M. L. Buchman

Perspective It's hard to argue that in the world of writing romance, it is a woman's world. This was driven home in 1996 when I went to my first-ever writer's conference--the Romance Writer's of America National Conference in Dallas. In attendance were 1,800 women and 7 men (4 of us because our publisher wanted to prove that men wrote romance--even though none of us really did at that time). I read my first romance (actually, my first 4) during the conference and was hooked. Even though it would take me a decade to start writing in the genre, I don't think that it was a question from that time forward.

Dial forward to last week in Orlando, Florida. This year there were 2,000 women and about 15 men at RWA National. Based on the ones I talked to, about half of us write romance (very similar to the ratio I observed last year as well). Let's call it around 0.5% just based on those two non-scientific data points. We'll set aside that I'm one of the very few making a full-time living as a romance writer (I think there were 2 of us this year).

There are an estimated 30,000 romance authors (who sold one or more titles last year--that's one or more copies of any title). That means that there are 100-150 men who sold even one copy of a romance last year in the US.

My dearly beloved Night Stalkers of the 160th Special Operations Aviation Regiment have reported that they now have "several women" who fly for them (none were allowed to even apply prior to 2012 when my first several books about the "First Women of SOAR" were released).


The Night Stalkers fly an estimated 200 aircraft which would roughly require 400 pilots. If "several women" = 4, then it is twice as likely to be a female Night Stalkers pilot than to be a male romance writer. If my entire college graduation class of 400 were all romance writers, 2 of us would be male romance authors. And if my entire college was all romance writers, one of us might be making his living that way.

A Strange World to Be In 
In 1996, I was simply ignored. Agents wouldn't speak to me, editors scoffed, and other (female) authors just breezed by. They all just assumed I was somebody's boyfriend.

This was actually a seminal moment for me as a romance writer. I spoke to some of my female co-workers when I returned home. "Welcome to our world," was the standard reply. I won't repeat the fascinating discussions that resulted about the marginalization of women in our male-oriented society. I will however say that, it really, really pissed me off. These were strong, capable women, banging their heads against a glass ceiling that had only recently been named that.

Shortly after that, I was fortunate enough to finally meet the right lady and received a six-year-old step-daughter as an amazing bonus. I thought a lot about the world my wife had grown up in and the world I wanted my kid to grow up in.

That's when I got serious about writing romance. Why? Because I wanted to show them both the kind of world I dreamed of them living in. It took over 30 romance novels for me to find a way to describe it properly, but when I look back, it describes everything I've ever written: early science fiction, recent thrillers, a ton of romance, all of it. All 50+ novels, all 50+ short stories are telling one story:

STRONG WOMEN AND THE MEN THEY DESERVE

A Reality Check on Writing
At RWA National last week, I was able to present a session with the amazing Suzanne Brockmann. This is the woman who pretty much single-handedly created the genre I mostly write in: military romantic suspense. We both write in big series (well above 20 titles), but she is a deep plotter and I'm an off-the-cuff pantser. So that was the topic of our presentation.

However, what I found fascinating were some of the commonalities we discovered in our writing as we were preparing this talk.

  • We're both writing to make the world around us a better place.
  • We both write about powerful women who are equals to the male heroes, but in their own way, coming from their own strengths.
  • When she writes, she's thinking about the story of the man. When I write, I'm thinking about the story of the women. Yet, because we're both writing romance, we both end up telling stories in which our fans wouldn't be able to distinguish one way or the other.
The other interesting change at RWA this year? Despite the still minuscule number of men writing romance, we were now fully accepted. Not a person I talked to dismissed me out of hand as a boyfriend or supportive husband. We were all just writers together talking about a topic we love--writing love stories with a happy-ever-after ending.

I truly hope that this microcosm world of a writer's conference is becoming more-and-more an honest reflection of the world women everywhere are experiencing.

I am a man who writes romance. It took me some time, but I will now where my "romance writer" t-shirts out in public (rather than just at conferences and classes). It is my way to make the world a better place. 

Coming Oct 17, 2017
Click here to pre-order the next adventure now


M. L. "Matt" Buchman: 50+ novels, 3x Booklist "Top 10 of the Year", NPR and B&N "Top 5 of the Year."
M. L. writes: Military romantic suspense, contemporary romance, F&SF, thrillers, even more short stories than novels.
M. L. has: bicycled solo around the world, designed and built houses, worked too many years as a corporate project manager, rebuilt and solo-sailed a fifty-foot sailboat, flown and jumped out of airplanes.
M. L. also: quilts!?!
Find out more at www.mlbuchman.com.

Thursday, May 4, 2017

WRITE FROM WITHIN by Michelle Somers

Just recently, a fellow author asked me to contribute to a book she's writing for beginner writers. She wanted one tip I believe newbie writers should keep in mind when they sit down to write. A small paragraph, no more.


Wow.

Never mind the ‘short paragraph’, I could write an entire book.

So, what would I tell her?

The question got me thinking, and reflecting back to the beginning of my writing journey. And I asked myself what is the one thing I know now that I’d have liked to know back then. One thing to have made my journey more expedient, more fruitful. My writing more meaningful.

O-kay.

Ideas bombarded me from left, right and center.

Yet another book I could write.

So many things I’ve learned through trial and error, through more experienced writers sharing their expertise and knowledge; words of wisdom around finding like-minded writers, joining writing groups, forming critique circles; learning and practicing craft, and in those spare moments in between, reading to continually fill the well of creativity.

Then there’s the actual sitting down and writing part.

I wish I’d realized the importance of voice. From those first few moments when I began to write, I thought my story – and the tone of my story – should sound like other successful authors. After all, the way they wrote was what made them successful, right?

So, instead of writing in a way that was natural and reflective of me, I tempered my tone and tried to write like someone else. Tried to sound like someone else.

Big mistake.

HUGE.

Not only did my stories sound stilted and unnatural, but they lacked the edge and special something that would make them unique – the voice that would make them stand out and scream ‘Michelle Somers wrote this’ to anyone who read them.

Through a gradual progression, and five complete novels, I slowly found my voice, and I’m happy to say, I love it! Imagine how different those five – unpublished, unpublishable – stories would have been had I written and, dare I say, embraced my voice back when I first started writing?

Hindsight is a wonderful thing.

There are other lessons I wish I’d known – the ‘show don’t tell’ doctrine, how to thread in backstory, how to layer characters and give them depth, how to construct GMC (goal, motivation, conflict) and make those very same characters 3-dimensional and believable.

But above all these tips that I would have found exceptionally useful back in the beginning, there is one that stands out in my mind, one that I’ve found a lot of authors tend to overlook or forget to do…

Write from within your characters.

Okay, I can see you squinting and shooting me a wary ‘what is she on about?’ sideways stare.  What do you mean ‘write from within your characters’? you ask.

It’s simply this: when you write a scene, put yourself in the place of your characters. Don their skin, their mind, their thoughts, their experiences.

Walk the journey that is their story in their shoes.

If your character is trekking through blistering heat, their body dusty and sweat-slicked, their brand new, unbroken-in hiking boots rubbing their heels raw, step right inside and write from within their experience. And write from within yours.

In a situation just like theirs, what would you think? Feel? Say? Do?

Write as if their experience is your experience. If they hate trekking, fear it even, ask why? Maybe it’s because the last time they slipped into their hiking boots their best friend died after falling into a crevice. Feel what they would feel. Find a parallel in your life.

Then ask more questions. Why are they out there now? Why would they put themselves through that trauma? That pain? Maybe it’s because their child is lost and they must find them before they meet the same fate as their friend?

Now feel those emotions.

Find more parallels. When did you last feel scared? Stressed? Panicked even?

What thoughts battered through your mind at the time? What visceral reactions racked your body?

Write from a place of experience and understanding. Write from your character’s point of view but draw from your own life to give the writing depth.

If your character laughs, think of the last time you laughed.


If they cry, think about the last time you cried.



For my debut, Lethal in Love, my central character lost someone they loved. Someone who meant the world to them. Those moments when they felt that loss were some of the most challenging I’ve had to write. There was one scene in particular, just moments after the death. I have to admit, I struggled over this scene. I wrote draft after draft, until finally one made me cry.

And how?

I drew from experience. I remembered the day my father died. Remembered the shock, the pain, the utter and unbearable loss, and then I wrote.

Writing can be a painful business. It can dredge up memories and emotions that we’d rather leave buried deep beneath the surface of normalcy. But those memories, those emotions, are what makes a great writer. They allow us to write from a place of understanding, a place of empathy, a place so deep inside our characters, the line between us and them blurs.

They become real. Three-dimensional. They take us to a place where fact and fiction collide. And they make us feel with every fiber of our being.

So, what advice would I give to a budding writer above all other advice?

Write from within your characters.

Make your characters feel. Make them hurt, laugh and love.

Make them grab the attention and heart of the reader and never let go.

What about you?
For the writers out there, I’d love to know the one tip you know now that you wish you’d known when you first started writing.
And for readers, what is it about characters and an author’s style that drags you into their story so you don’t want to stop until the very last page. I’d love to know!
Thanks so much for reading and commenting and general awesomeness! I look forward to seeing you all back here again the first Thursday of next month 😄

Until then, have a fabulous month, and MAY THE FORTH BE WITH YOU 😊

Michelle Somers is a bookworm from way back. An ex-Kiwi who now calls Australia home, she’s a professional killer and matchmaker, a storyteller and a romantic. Words are her power and her passion. Her heroes and heroines always get their happy ever after, but she’ll put them through one hell of a journey to get there.


Michelle lives in Melbourne, Australia, with her real life hero and three little heroes in the making. And a cheeky, furry feline called Emerald. Her debut novel,
Lethal in Love won the Romance Writers of Australia’s 2016 Romantic Book of the Year (RuBY) and the 2013 Valerie Parv Award. Her second book, Murder Most Unusual was released February this year.
I love hearing from readers, and I’d love you to visit my website www.michelle-somers.com, but it’s currently under construction, soon to be filled with awesomeness ðŸ˜Š So, if you’d like to stay in touch, find and follow me on Twitter, Facebook or Instagram, or email me at michelle-somers@bigpond.com to sign up for my newsletter and a FREE copy of my novelette, Cold Case, Warm Heart.


Three deaths, one clue, and twenty-four hours before it's too late...

Homicide detective Calamity Dresden has twenty-four hours to catch a killer before he kills and disappears underground. Estranged lover Sebastian Rourke wants justice for his father and every other victim of Melbourne’s sadistic Trifecta Terror.

But can the pair overcome past hurts and catch the killer before he catches them?





Saturday, June 15, 2013

Jumping Into Screenplays

By Terri Darling


Along with romance, I write in a lot of other genres because, well, that’s how my brain works. If I stick with any one thing for too long and I get incredibly antsy. My writing suffers. My family suffers. So rather than make everyone suffer, I switch things up and keep everyone happy.
Terri Darling - sort of
(DISCLAIMER: writing in a lot of different genres, like working in a lot of different jobs, is not the quickest route to financial success…but it’s a lot of fun.)

But how did I get into screenplays specifically?

To start with, it should have been a no-brainer. My biggest interests growing up were all creative—writing, drawing, acting, singing. Over the years, with a few things like becoming a lawyer and full-time parent intervening, they got narrowed down to acting and writing. Why not combine them?

Reality set in when I spent about eighteen years writing and submitting novels and found it wasn’t so easy. And I sure wasn’t going to take on scriptwriting and Hollywood (where they eat their young) if I couldn’t make it past some fresh-faced, college-grad slush reader in New York.

Then the world changed. Suddenly we had digital publishing. I jumped in and…wow. Riches? Not yet. But consistent sales. Total freedom. Total control. A way to create a story and put it out there for people all over the world to buy. Talk about a golden age of opportunity.

Coincidentally, I finally stepped back into acting (which I’d put aside to raise kids), started reading and analyzing and acting the heck out of dozens and dozens of scripts, and realized three things: 1) I could write stuff better than some of this dreck, 2) I didn’t have to do Hollywood at all because movie makers now had YouTube and Vimeo, not to mention cheap video equipment and easy electronic submissions to film festivals, and 3) I needed to act in some well-written shorts to boost my star meter on IMDb.

So I bought a copy of Final Draft to handle all the formatting stuff (genius easy), and banged out a
script for a 12-minute short I’d been thinking about for quite some time. The actual writing from a fully-formed idea took about three days. I’ve got most of my crew ready to go. Still have to cast the other actors. Looking forward to the next stages with both overwhelm and excitement. Stay tuned.

Similarity to fiction writing: You read a bunch of a bunch of scripts (and probably books on screenwriting) to understand the form, just like you read lots of novels to understand novels, but at their hearts, screenplays are just story and character.

Biggest difference: While you can just write a story and either submit it or indie publish it, getting a screenplay to a place where people can view it (because only actors and directors read these things) almost always takes a team of people.

Author bio: Terri Darling is the romance pseudonym for a prolific Pacific Northwest author/actor who also writes literary, SF, fantasy, horror, erotica, mystery, and mainstream. You can find her romance novels, short stories, and collections every major e-book seller. Paperback versions coming soon.