Like some of the bloggers who have posted this month, I don’t really read regularly in any genre that truly puts a villain on the page. When I saw this month’s prompt, my mind instantly went to Severus Snape from the Harry Potter series. I also considered writing about the antagonist in Kristan Higgin’s most recent novel, Always the Last to Know, who, like Snape, is far more complex than she first appears. But then I read Barbara Binn’s blog featuring COVID-19 as a villain created by the 2020 writers’ room, I veered in yet another direction.
Barbara’s
post spurred me to consider how I often use an external force as a villain in
my own writing. War – WWII specifically in my case – is the overriding
antagonist in my novels. It rips my characters out of their ordinary world,
keeps them from their loved ones, is a source of loss -- loss of comrades,
friends, loved ones, loss of liberty, loss of innocence. They all wanted to do their part. My heroines will maintain that despite the hardships and grief and separation from home and loved ones, they wouldn't have missed it for the world. Naturally, my combat veteran heroes might have more complex emotions on that point, though they too were proud to have been part of such an important undertaking.
Though I don’t show it
on the page, it’s safe to assume that war leaves an indelible mark on my
characters. My heroes and heroines get their happy ending, but as in any
well-written romance novel, their evolution and personal journeys to resolve
their inner conflicts and their relationship barrier are shaped in extraordinary
ways by the war and its lasting effects.
Yet, there were surely negative effects from the war as well. Both my heroes and my heroines may have suffered from some residual PTSD, though it would be decades after the war before their struggles had a diagnosis and a name. Framed photos of loved ones who were lost in the war will long trigger grief and sadness. Some of my characters may have preferred to shield their children from later wars.
Down
the road, I plan to do a “reunion” of my Clubmobile Girls heroines, perhaps set
in the 1970s, to explore some of the long-term effects. I know that my
heroines, based on their historical counterparts, will have often enjoyed
professional and career success while also raising a family (including their
daughters, who are no doubt among the vocal feminists advocating for equal
rights beginning in the 1960s). As with my heroes and other male veterans, my
heroines will cite their wartime service as the most memorable and
transformative experience of their lives. They left their overseas postings convinced that they could now do anything, anything hey wanted was within reach. Of course, that wasn't completely true, but their optimism no doubt helped them topple barriers that might have once stymied their progress. My heroes may have taken advantage of
the GI bill to pursue additional education or start a small business after the
war.
They might well have taken advantage of benefits that allowed them to buy
a home with a low-interest loan. My characters returned home to a booming
economy that bore little resemblance to what they had experienced during their
childhood and adolescence. Yet, there were surely negative effects from the war as well. Both my heroes and my heroines may have suffered from some residual PTSD, though it would be decades after the war before their struggles had a diagnosis and a name. Framed photos of loved ones who were lost in the war will long trigger grief and sadness. Some of my characters may have preferred to shield their children from later wars.
War
is definitely a non-traditional villain, but a villain or antagonist all the
same. And as with human villains, its arc is neither simple nor a
straight-line.
Learn
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You can find my Clubmobile Girls books on Amazon.





















