Showing posts with label Indian-American. Show all posts
Showing posts with label Indian-American. Show all posts

Monday, February 10, 2014

Choosing Settings in Fiction



By Shobhan Bantwal

Could your setting make or break your novel?
If the settings in fiction books could talk they would have plenty to say about themselves. They could also speak out in their own defense if an author has not researched them well or has given erroneous information. And yet, despite their inability to literally talk, settings do make a clear statement in each and every book.

Whether your story occurs here on earth or some imaginary place, setting will undoubtedly play a major role in how readers react to your story.

Why choose a unique setting?
Setting is as vital to a story as the characters and the plot. No one lives in a vacuum, not even fictional people. The characters' lives revolve around the rhythm and pulse of the town or city they reside in. In that sense, the backdrop takes on a life of its own and becomes yet another character in the story.

Editors and literary agents alike seem to agree that unusual settings are worth seeking out in the thousands of manuscripts they are inundated with year after year. A book's setting could make the difference between a sale and no-sale for a debut author.

One of the reasons my agent, the late Elaine Koster (Koster Literary Agency) signed me on back in 2005 was because she loved my debut book's (THE DOWRY BRIDE) setting: a small, fictional town in southwestern India, full of political conflict, community spirit, cultural contradictions, and natural beauty. 

Utopia or Dystopia
New authors may want everything in their books to be picture-perfect. Nonetheless, to be realistic, just like characters, a setting needs to have its imperfections exposed along with its assets. It is the author's creativity and expert treatment of the background that makes the difference between ordinary and stunning.

While it is hard to envision a dysfunctional or dismal world as a setting for a good story, many famous writers have made dystopian backgrounds work brilliantly for them. William Golding's Lord of the Flies and Aldous Huxley's Brave New World are highly successful older dystopian novels that have the set the tone for more recent authors like Terry Brooks, who published Armageddon's Children in 2007.

Building your extraordinary world
The age-old adage, "write what you know" is often the best advice in choosing a setting. However, the challenge of picking and researching an unfamiliar place may be exactly what an author needs to get those creative juices flowing.

Nevertheless, research is still the number one rule for success in terms of credibility and authenticity of settings. The characters need to fit into their environment like peas inside a pod.

Research today is so much simpler. Almost every city in the free world seems to have a website, with information on its geography, history, ecology, points of interest, demographics, and economic data.

No matter what kind of setting one chooses, it is necessary to do some homework first. Yes, it requires work, but it can pay rich dividends later.

Location involves culture
Culture is an integral part of a book's setting. The residents, the language, the cuisine, the dress, the traditions—they all come together to form the background for a riveting piece of fiction. To make a story credible, it is vital to stay true to the uniqueness of the community.

Setting is one element in fiction that can stretch as far and as wide as your imagination can take you. The sky is literally the limit, as evidenced by the popularity of sci-fi novels. You can pick almost any corner of the solar system and make it a memorable backdrop for your stories.

Does unusual setting equal success?
Literary success is never a guarantee, even if all the elements in a book are outstanding. Why? Because success is based on multiple and complex factors, only one of them being setting.

Unusual settings do not always lead to greatness either. On the other hand, the success rate in capturing the attention of an editor or agent can be high when it comes to extraordinary backdrops, something worth keeping in mind. Besides, choosing a location and making it work can be one of the most creatively fulfilling aspects of fiction writing.

You can reach me at my website: www.shobhanbantwal.com or my Facebook page.

http://www.amazon.com/The-Dowry-Bride-Shobhan-Bantwal/dp/0758220316/ref=sr_1_1?ie=UTF8&qid=1389026442&sr=8-1&keywords=the+dowry+bride

Monday, September 9, 2013

Flirting with Fiction at Fifty



By Shobhan Bantwal

When I made the impulsive decision to start writing fiction at the ripe age of fifty, I knew it would be a serious challenge. I had never written anything more creative than school essays and the thesis for my master's degree. Nonetheless I had to start somewhere, so I began by writing articles and short stories about Indian-American immigrant experiences.

Much to my amazement, between 2002 and 2005, I successfully wrote over thirty articles for various Indian-American publications, and three of my short stories won awards/honors in fiction competitions.

But when it came to full-length novels, I had grave doubts. Would the mainstream American establishment be willing to accept stories that hinged on arranged marriage, dowry abuse, virgin brides and grooms, and male dominance? Would they even consider characters like compliant wives and mothers who, despite college degrees and flourishing careers of their own, catered happily to the men in their lives?

In spite of my trepidation I took a calculated risk by writing romantic fiction, a sub-genre that I branded "Bollywood-in-a-Book." I introduced serious social issues in contemporary India to American readers by weaving them into fun, romantic, entertaining tales.

After two frustrating years of agent-hunting I finally landed a great agent, Elaine Koster (now deceased), a publisher-turned-agent
who had published literary giants like Stephen King, Joyce Carol Oates, Erica Jong, and Khaled Hosseini. Fortunately she loved my "outside the box" fiction, and sold my debut book, The Dowry Bride, to Kensington Publishing in 2006.  More contracts by Kensington followed in quick succession, making it a total of six novels in six years.

I would love to hear about your own unique publishing stories.

Facebook page: www.facebook.com/ShobhanBantwal.author


Saturday, May 18, 2013

Shobhan Bantwal - Romance in the Land of Bollywood



By Shobhan Bantwal

Author of The Reluctant Matchmaker and other novels about India

Despite my nearly 40-year-old arranged marriage and my conservative childhood in small-town India, I am a hopeless romantic. And this is why I decided to buck the stereotype of serious Indian literary fiction and write romance instead. However, my brand of romance also includes some bold and controversial social issues that most South Asian fiction authors shy away from.

Fortunately there is an abundance of story ideas in my own culture. Consequently my books are essentially "Bollywood in a Book"—a kaleidoscope of all the elements of my native India—vivid tales woven around exotic women, authoritarian men, and hot-button social issues. My stories are filled with the vivid colors, textures, scents, and images of India. They offer a small glimpse of a tantalizing, paradoxical culture that is ancient yet modern, simple yet complicated. Kensington Publishing has given me an extraordinary opportunity to introduce my unique brand of multicultural fiction to a wider audience.

While conflict is part and parcel of every society, it is even more apparent in conservative cultures like India, where love and romance are rarely given credence. The rigid caste system and arranged marriage still exist in contemporary India. Dowry abuse is rampant, women are still considered burdens, and dominant males are fierce guardians of their heritage.

India is the land of the Kama Sutra, an ancient textbook on sex, and the Bollywood movies are all about romance, and yet the word "sex" is rarely uttered, premarital sex is frowned upon, and legitimate sex between married people is looked at as a necessary evil. Nonetheless all those countless taboos, spices, superstitions, saris, and languages provide the most delicious cultural tidbits that add complex layers to my fiction.

Three of my books are set in India. The protagonists are very different in their personalities, and yet they share a few traits, like the strength to overcome extreme challenges and the tenacity to become independent.

My debut novel, The Dowry Bride, is the story of a young Indian bride's escape from her abusive marriage and her journey to freedom and love. The Forbidden Daughter brings to light the horrific practice of female fetus abortion, but the dark topic is intricately woven into a story of courage, hope, and ultimately, romance. The Unexpected Son is all about pre-marital sex and the lifelong consequences of bearing a child out of wedlock. But every one of these novels has romance as the underlying theme.


The Indian-American immigrant experience is yet another delightful source of conflict, where conformist Indians raising their children in the emancipated American milieu grapple with dating, pre-marital sex, and sometimes gay relationships. Young, second-generation Indian-Americans facing the challenges of conservative family lives combined with fitting into the American social fabric form the topics of my two latest novels, The Full Moon Bride and The Reluctant Matchmaker.

Information on my writing, contests, book clubs, author events, recipes, photos, contact, and charities that I support can be found on my website: www.shobhanbantwal.com.  Readers can also find me on Facebook.