Showing posts with label Christy Carlyle. Show all posts
Showing posts with label Christy Carlyle. Show all posts

Wednesday, September 29, 2021

Life Changes, Fresh Goals, and a Grumpy Duke by Christie Carlyle

DUKE GONE ROGUE


When I was asked to create a post around the theme of change for Romancing the Genres, the prospect resonated with me. This year and the last have wrought changes in the lives of everyone I know, and I can only think of a few aspects of my life that haven’t been altered. I’ve changed my relationship status, moved into a new place, changed a plan I had to retrain in a new field, launched a few entrepreneurial ventures, and started a new Victorian historical romance series—my fourth with Avon Books.

 Duke Gone Rogue will always mark a unique time in my life. It’s the book I managed to write after a divorce, during a pandemic, and while trying to create new ways of generating income while working from home. Maybe that’s why the novel has a sense of escape about it. In fact, my whole “Love on Holiday” series was conceived with the idea of focusing on characters who need to get away from their everyday lives and go on holiday, only to find that their travel adventures lead them to love. In a time when it has been hard to travel or “get away from it all,” I enjoyed taking my characters on trips to places that are definitely on my bucket list.

Cornwall

The first book’s setting is Cornwall, and while I’ve never been, I did grow up with a grandma whose father had been born there, and she often told me of our cousins back in Cornwall. Shows like Poldark made me fall more deeply in love with Cornwall’s beauty and history, making it the perfect place to send the grumpy duke hero of Duke Gone Rogue. Like me in the last couple of years, he needs to learn to embrace change and figure out what truly matters to him in life.

 And l like my curmudgeonly duke, I’ve learned that change, while sometimes hard to accept, often creates fertile ground for new opportunities. For me, the challenges of 2020 and 2021 reminded me how much I want to devote more time to my writing. My very first titles were self-published prior to getting my first book contract, and I’ve wanted to add indie publishing back into my writing efforts for years. This year, I realized that a wish without time devoted to it rarely comes to fruition. So, in the first months of 2022, I plan to put my focus there. 

Look for some new stories from me in 2022, perhaps in the mystery genre, which I’ve always loved as a reader and want to explore as a writer. And this winter, if you crave a romantic escape to Cornwall, look for Duke Gone Rogue to hit bookshelves and e-readers on December 28th.

BIO:

Fueled by Pacific Northwest coffee and inspired by multiple viewings of every British costume drama she can get her hands on, USA Today bestselling author Christy Carlyle writes sensual historical romance set in the Victorian era. She loves heroes who struggle against all odds and heroines who are ahead of their time. A former teacher with a degree in history, she finds there's nothing better than being able to combine her love of the past with a die-hard belief in happy endings.

Website:    www.christycarlyle.com

Facebook: https://www.facebook.com/authorchristycarlyle/

Instagram: https://www.instagram.com/authorchristycarlyle


 

 

 

 

 

 

Saturday, May 25, 2019

FREE READ: The Language of Flowers by Christy Carlyle

TULIPS
NOTE from the Blog Queens:
Multi-published Victorian Romance Author Christy Carlyle  is a Genre-ista Alumnus. For a year, we published a sister blog called "Free Reads from the Genre-istas and Friends" where we published original flash fiction stories. Christy's story, "The Language of Flowers", was our most popular Free Read. She generously agreed to post her story for free for our Eighth Blog-o-versary.
AUTHOR CHRISTY CARLYLE

NOTE from USA Today Bestselling Author Christy Carlyle:
I love the past and earned my bachelor’s degree in history. I remember being told there was nothing I could do with a history degree, but now I get to use what I learned when writing stories. I’m happiest when I’m writing, fleshing out the stories in my head.

I wrote "The Language of Flowers" back in 2012, two years before I self-published my first story and three years before I received my first contract from Avon. I’ve always been fascinated by the language of flowers, a means of communication particularly popular in the Victorian-era, by which individuals sent coded messages to share secret feelings or express what could not be spoken aloud. Now that I am published, I’ve thought of writing more stories based on the language of flowers, but so far I’ve only produced this one. I hope you enjoy it.

VIOLETS
THE LANGUAGE OF FLOWERS
For the third time in as many minutes Violet Taylor reminded herself that she had not accepted the invitation to Milly Wilcox’s garden party in the hope of seeing him. She didn’t even know for certain he would attend. It was true that he was nearly a member of the Wilcox family due to his longtime friendship with Milly’s brother. But that made no odds. He was a taciturn man whose behavior was unpredictable on the best of days.

With no thought to his attendance, she had come because Milly invited her, and it was the perfect opportunity to renew their friendship. Though, as she thought on it more, they had never truly developed a deep and meaningful friendship. Their families moved in different circles. Indeed, the Wilcoxes were the kind of family her mother called “the right sort.” The Taylors, on the other hand, were a few crucial steps behind. But that had never bothered Violet. It kept the penurious men away and allowed her a modicum of freedom to do as she pleased. Unfortunately, it also kept the quite well to do men away, and even one who was simply the best friend of a wealthy Wilcox.

He would certainly not attend a garden party. They were too spritely and colorful for such a dour, mirthless man. Of course, he would not have to spend time admiring the Wilcox’s flowers on this afternoon as the April weather had turned rainy and cool. The drawing room curtains were open so that the handful of guests could admire the gardens, but the glass obscured their colors, running them together like watercolor paints under a too damp brush.

He liked the rain, but disliked gardens. He adored the Wilcoxes, but loathed social gatherings that involved more than a couple guests. No, he would most definitely not attend. Indeed, if he did plan to attend, he was now unfashionably late. But it would be just like him to behave abominably.

“He’s here!” A chill trickled down Violet’s back as if she’d been stripped bare in a cool breeze.

Saturday, February 23, 2019

Women's Work in the Victorian Era


William Powell Frith, Many Happy Returns, 1856
[This post was first published at RTG in May of 2014. Updated reprint with author's permission.]

The topic of women’s work in the Victorian era is more complex than you might imagine. During the 19th century a popular notion of woman as a kind of domestic goddess or “Angel in the House,” based on a popular poem by Coventry Patmore, became prevalent, but the realities of the era were a bit different.

Though many women were responsible for the running of increasingly large families (due in part to an improved infant mortality rate) and tackled the role of household management with skill and finesse, many households were also dependent on women’s work outside the home. In some cases, this meant mothers and married women, particularly widows who had become de facto head of household, were required to supplement or supply the family’s income, but young women, even juvenile girls, also sought various forms of employment during the period.

Women and girls working in a match factory.
With the industrial boom of the mid-Victorian era, technology created a host of new jobs, many of which skilled men eschewed. But even when men were willing to take manufacturing jobs, employers often undercut them by securing the less costly labor of immigrants, women, and children.

Domestic service, in all its various forms, was the most common type of work women pursued outside the home. Work in the textile and clothing sectors was also common, including employment as seamstresses, laundresses, and work in mills that manufactured fabric. Family businesses, such as inn-keeping, might offer women opportunities for more administrative work, such as bookkeeping, managing stock, assisting clients, etc.

Female telegraph operators.
Compulsory elementary education became law in Britain beginning in 1871, but even before the law, women with access to education worked in fields such as teaching, nursing, journalism, and later in the century as telegraph operators, typewriter girls, secretaries, or in retail establishments.

Women of means and leisure often worked too. Though their efforts may have been unpaid, charities have been reliant for centuries on the work of women to care for the poor, sick, injured, and mentally or physically disabled. As the tail end of Victoria’s reign coincided with the start of the Progressive Era, women organized in increasing numbers to do the work of social activism and political reform, taking up the banner of women’s rights, suffrage, safer conditions in the workplace, child labor laws, and addressing many of the other social ills of the period.

Unfortunately, women’s activism and role as breadwinner did not mean she was freed from domestic duties at home. Still the main caretaker at home, Victorian women were often faced with the duel burden of cooking, cleaning, sewing, and caring for children inside the house while earning a supplemental wage outside the home too. While women juggle the same challenges today, Victorian women did not enjoy the luxuries of automatic dishwashers, vacuum cleaners, washing machines, and tumble dryers.

Female nurses on a children's ward.
Also, the choice to pursue employment might curtail a young woman’s options to “have it all” as many of us strive for today. 

In researching the Royal London Hospital in Whitechapel for my book, Wanton Wager, I learned that young women who had committed themselves to employment as nurses in the hospital were forbidden from marrying. This meant women had to remain single, with no family to care for them, into their old age. The result is that women worked far past what we might consider retirement age. One story I read mentioned a woman who continued working as a nurse into her eighties because she had no other means of supporting herself.

Women have faced challenges in every century, but the Victorian era offered a unique set regarding the balance of work and home life, while also offering women increased options for employment. By century’s end, women were attending medical school and the U.S. had its first female attorney (that first would not occur in Britain until after the turn of the century). It is difficult to deny that opportunities abounded along with the challenges.
~*~
Wanton Wager (Whitechapel Wagers, Book 2) is set in Victorian London's dangerous East End and matches scarred Afghan War veteran, William Selsby, with spirited Whitechapel nurse, Ada Hamilton. When the two join forces to find Ada's missing sister, they discover passion despite their differences.

BIO:
Fueled by Pacific Northwest coffee and inspired by multiple viewings of every British costume drama she can get her hands on, USA Today bestselling author Christy Carlyle writes sensual historical romance set in the Victorian era. She loves heroes who struggle against all odds and heroines who are ahead of their time. A former teacher with a degree in history, she finds there's nothing better than being able to combine her love of the past with a die-hard belief in happy endings.

Contact Christy at christy@christycarlyle.com or find out more at www.christycarlyle.com

Wednesday, May 31, 2017

Christy Carlyle: Lessons Learned on the Hybrid Path

Happy Blog-o-versary! Thank you, Judith and Sarah, for inviting me to Romancing the Genres’ sixth anniversary! I’ll always be grateful for the opportunity to blog at RTG back in 2011.

For those who don’t know me, I write Victorian-set historical romance. When I posted during last year’s blog-o-versary, I mentioned my goal of being a hybrid author. I’m still working at that goal. I wrote three more books for Avon Books in 2016, but I also published a novella on my own.

This year, I have even bigger plans, and I’m already looking ahead to 2018 and beyond. You see planning a year ahead is one of the lessons I’ve learned as I continue on the hybrid path.

I’ve also learned to juggle. My days have never flown by as quickly as they do now that I’m a full-time writer. If I don’t tackle many activities (administrative tasks, marketing, social media), I quickly fall behind. This is true of my writing too. While working on a manuscript, I’m getting better at scheduling in planning and plotting time on other projects.

As a hybrid author, I can’t afford to focus on a single project and forget everything else. It’s a matter of juggling. I’m still dropping balls occasionally, but I’m getting better at keeping them in the air. Right now, for instance, I’m waiting for edits on one book, adding words to a novella that I started months ago, and doing research for my first historical mystery, which I plan to finish drafting by the end of the month.


Being a hybrid author is an adventure with few safety nets, but I’ve learned to embrace the risks and the opportunities. When I sign a contract with my publisher, the expectations are clear, from deadlines to word counts. Those boundaries are comforting. In self-publishing, I’m in charge of every decision, which can be daunting, yet it’s also a chance to learn.

Since I published my first story in 2014, I’ve studied formatting, marketing, and how to upload my book at each retailer. But I’ve learned from my traditional publishing experience too. Nothing has helped me grow as a writer like the lessons learned while working with my Avon editor. 

Check out Christy's website:


Connect with Christy:


Friday, May 5, 2017

Reinventing Romancing The Genres


Judith is the author of The Sacred Women’s Circle series, romantic fiction that honors spiritual practices that nourish the soul and celebrates the journey from relationship to romance.
Reinventing Ourselves is the chosen topic for our Sixth Blog-O-Versary here at Romancing The Genres. What started out as an idea Sarah and Judith talked about over tea at the Border’s Café just over 6 years ago has now developed into a world-wide blog focused on diversity of genre, geography and gender. Genre-istas come from Australia, Canada and the United Kingdom. They span across the United States and we write in most of the sub-genres of romance.

If you’ve followed us at all, you know our new look is Very Different from our initial one. There are similarities – books, a cup, and our name. We’ve changed our ‘tag line’ and after weeks of trying to figure out visuals to show visitors how diverse we are, Diana McCollum came up with the idea of language and Sarah Raplee did the research.

What did I contribute to this reinvention of RTG? Some initial brain storming and on-going feedback when asked on the new banner and format.

While Sarah and Diana worked on the new look, I tracked down alumni and invited them to guest with us. It has been a fun journey—catching up with former Genre-istas.

Here’s our May Line-Up.

05/06 — Donna Hatch

05/13 — Terri Molina

05/20 — Deanne Wilsted

05/27 — Susan Horsnell

05/29 — Nadine Mutas

05/30 — Margaret Tanner

05/31 — Christy Carlyle

At one point in the past six years these authors have been an integral part of Romancing The Genres and added to our success.

Take the time and click on their names to check out their websites and be sure to stop back by each Saturday for an up-close and personal chat with them.

Another Reinvention organized by Genre-ista Marcia King-Gamble is our Tuesday evening FB Events. Check in on our Facebook Page between 9 – 10 EDT (6 – 7 PDT) and learn what these award winning, bestselling authors have done and are doing to reinvent themselves. If you missed Carla Neggers on May 2nd, don’t miss out on these other heavy hitters.

05/09 — Michelle Monkou

05/16 — Dianna Moggy

05/23 — Alyssa Maxwell

05/30 — M.L. Buchman

For me on a personal level, I’m reinventing myself every day as I find the balance between writing and my real life. I’m figuring out what I want to do myself, what I’m willing to do and what I’m l hiring out.

Check out my Monday Judith Ashley blog. This month I’m writing about

05/08 — Unconditional Acceptance

05/15 — Unconditional Support

05/22 — Unconditional Love

05/29 — Sacred Space

Sign up for Connections, my newsletter, and download a free e-copy of Lily.

Learn more about The Sacred Women’s Circle series on Judith's website.
Follow Judith on Twitter: @JudithAshley19
Check out Judith’s Windtree Press author page.
You can also find Judith on FB!


Saturday, May 28, 2016

Christy Carlyle: Finding a Path That Fits


Happy anniversary, Genre-istas! How time flies. I will always be grateful to Romancing the Genres and its blog queens for what they taught me about myself as a writer and the fun and discipline involved in blogging regularly. Thank you so much for inviting me back!

For those who don’t know me, I write Victorian-set historical romance.

I refer to 2015 as my whirlwind year. I signed my first traditional publishing contract with Avon/Harper Collins to release a three-book Victorian historical romance series for their digital-first Avon Impulse line. Now those books—One Scandalous Kiss, One Tempting Proposal, and One Dangerous Desire—are in the hands of readers. Between March of 2015 and 2016, I gained a publisher, developed a relationship with my fabulous editor, signed on with an agent, and even made the USA Today bestseller list due to a mix of crossed fingers, all the stars aligning, and a successful price reduction-paid promo combo. Currently I’m working on the first book, Rules for a Rogue, in a new three-book Avon Impulse Victorian historical romance series. Whew. Yep, definitely a whirlwind.

Looking ahead, I believe 2016 and beyond is about finding my path in the larger hybrid world of publishing. If I consider this process as an equation, I have to admit that I don’t yet have the answer, but I know it involves finding balance between my goals, time, and commitments. Before I signed with Avon, I’d published three stories independently as part of my Whitechapel Wager series. I still plan to continue that series, as well as begin new ones.

The most exciting aspect of being an authorpreneur—a term coined, I believe, by Romancing the Genres’ own Kris Tualla—is the opportunity to forge our own unique paths as authors. The current publishing landscape presents us with lots of options and myriad challenges. To that end, I’ve learned to try new things, like joining the February 2016 boxed set, Passionate Promises, with several authors from the Embracing Romance group blog.

Learning how to be a better writer, marketer, and manager of my own time and author platform is now my full-time occupation. As a former teacher, the opportunity to continue learning thrills me, even if the possibilities sometimes feel overwhelming. Whatever path I settle on has to allow me to embrace challenges gracefully while never ever losing my love for the writing itself. If my whirlwind year taught me anything, it is that writing engaging and emotional stories trumps everything else.

What do you do to find a balanced path in your life? If you’re writer, do have any tips on juggling the multiple demands of authorpreneurship?

Christy Carlyle


Christy Carlyle
Fueled by Pacific Northwest coffee and inspired by multiple viewings of every British costume drama she can get her hands on, USA Today bestselling author Christy Carlyle writes sensual historical romance set in the Victorian era. She loves heroes who struggle against all odds and heroines who are ahead of their time.

A former teacher with a degree in history, she finds there's nothing better than being able to combine her love of the past with a die-hard belief in happy endings.


Sunday, May 1, 2016

Pass That Book Along

Judith Ashley is the author of The Sacred Women's Circle series, romantic fiction that honors spiritual traditions that nurture the soul.

These days with digital books on e-readers it’s more difficult to share a favorite read with others. But with the upswing in e-readers and digital publishing more books are available at lower prices (usually) than paperbacks. 

Although I didn’t get much writing done in April (several blog posts for a couple of thousand words), I did get Lots of reading in. Here are my recommendations for great summer reads.

Courtney Pierce’s “The Executrix” entertained me on my flight to and from Arizona. Much easier for me to read ‘paper’ than digital on the plane. Having been an executor of an estate (or two) before, I will admit my challenges were different (brothers rather than sisters) and no mobsters or manuscripts. Ms. Pierce blends mystery and humor into an entertaining read. “Indigo Lake”, Book Two in this series is available now.

Vivienne Lorret’s The Wallflower series as well as her Rakes of Fallow Hall series kept me sitting in the chair with my feet up, sipping either tea or ice water (I was in Arizona at the time). Ms. Lorret’s characters came alive and I was especially pleased to see them reappear in each book of the series. Not just in a brief sentence or two mention somewhere along the way but as integral to the current story-line.

Christy Carlyle’s first two books in her Accidental Heirs series (One Scandalous Kiss, One Tempting Proposal) with Avon were also on my Kobo. (The third book in the series is now available). Having read Ms. Carlyle’s Whitechapel series as well as several of her short stories, I was familiar with her writing style. She did not disappoint. 

Another author I read on my trip was Diana McCollum. Her first novella, The Witch With The Trident Tattoo, continues the Coastal Coven series she started in the anthology Love and Magick. Ms. McCollum’s creativity shines in the book’s concept and characters. I will admit to loving James! Shoe fetish and all.

Also on my Kobo are several anthologies. I love to read anthologies if there is an author I know because I assure myself of at least one story I’d love. However, I’ve met several new-to-me authors. Both Collette Cameron and Bronwen Evans had stories in at least one of the anthologies I’ve read or am reading. Once Upon A True Love's Kiss and Passionate Promises.

Paty Jager is another author whose books I enjoy. I particularly loved her Spirit Trilogy because of the Nez Perce spirituality. I’ve also read her Halsey Brothers series as well as her mysteries. Isabella Mumphry and Shandra Higheagle stories are well-crafted with just the right amount of suspense for me.

Looking at the list of Genre-istas whose books I’ve enjoyed in the past, I don’t want to forget Margaret Tanner who writes Australian historical romance among other genres and M.L. (Matt) Buchman who writes contemporary romance. Matt’s post on his newest release “Flash of Fire” will certainly be on my Kobo soon!

And last but not least, check out my Sacred Women’s Circle series either on my website or my author page at Windtree Press.

You’ll find the Genre-istas sharing favorite books/authors during our 5th Blog-O-Versary this month. Hope you’ll share yours with us!

Follow me on Twitter: @JudithAshley19

I’m also on Facebook

© 2016 Judith Ashley

Saturday, November 14, 2015

The Gift of Christmas

THE GIFT OF CHRISTMAS
A book review by Collette Cameron

Collette Cameron
An eclectic assortment of twelve holiday stories, I spent two pleasant evenings reading The Gift of Christmas.

Rather like a box of chocolates or an assortment of Christmas cookies, each story offered a tantalizing taste of holiday spirit.

From Susie Slanina’s, Metro’s Mountain Cabin, a simple tale of childhood chums seeking the perfect camping cabin, to Susan Lute’s, A Marine’s Christmas Proposal, a delightful sexy twist on an office romance,  the book kept me turning the pages.

I couldn’t wait to read the next story!

Melissa Yuan’s, The Cancer Christmas, brought tears to my eyes as she shared her personal experience as her father battled cancer. I cheered as the miracle needed to save the family farm came from a wholly unexpected source in Pamela Cowan’s, Christmas Miracles, and Courtney Pierces’s, The Nest, had me grinning at the antics of a ‘special’ guest who arrived for the holidays. 

Readers will sit on the edge of their seats trying to unravel the mystery in Paty Jager’s, Isabella’s Christmas Box, and they’ll shiver in suspense at the paranormal twist Anna Brentwood weaves into The Mermaid’s Treasure.  I fell in love with the characters in Christy Carlyle’s tender love story, Don’t Forget the Mistletoe, and I sighed with satisfaction when I finished reading Judith Ashley’s, First Love.

Just when I thought I couldn’t possibly read anything new and unexpected about the Christmas season, Jane Killick had me reeling with a fabulous twist in Christmas With You, as did Jamie Brazil in Career Conundrum Christmas.

Lastly, Maggie Jaimeson takes the reader all the way to Scotland in The Hogmanay Stranger, for yet, another inspiring tale of selflessness.

The Gift of Christmas contains everything a holiday anthology ought to.  A bit of romance, compassion,  mystery, devotion to family, love surpassing time and physical restraints,  these authors’ talents should be enjoyed with your favorite hot beverage, maybe a tasty treat or two, and tucked beneath a favorite blanket before a blazing fire.

The Gift of Christmas is sure to have something for everyone seeking the Christmas spirit. 
I was given a copy of this book in exchange for an honest review.


Saturday, March 21, 2015

Researching the Victorians


I’ll take any excuse to buy more books, and nowadays research is my main book buying motivator. By grabbing every promising book on 19th century history that I come across in used bookstores or charity shops, I've assembled a useful little library of books on British and American history over the years. Though I've recently become more reliant on the ease and speed of internet research, I still love the ability to reach for a book and thumb through an index to find the answer I’m looking for.
     
Three of my favorite basic Victorian era research books are Daniel Pool’s What Jane Austen Ate and Charles Dickens Knew, Judith Flanders’ Inside the Victorian Home, and Gail MacColl and Carol Wallace’s To Marry an English Lord. For anyone wanting to get a feel for the era, these books are highly readable, well-illustrated, and full of useful information.

When I started writing my Whitechapel Wagers historical romance series, I already had a good basic grasp of the late 19th century time period, but I made sure to collect all the research books I had about Victorian era London and the Jack the Ripper investigation specifically. I love having research materials nearby when plotting and drafting. I also conducted plenty of internet searches on specific topics related to my stories, such as nursing, charity institutions, and the Metropolitan Police force during the period.

I find maps to be particularly useful and grounding when I’m writing, and luckily many historical maps are available online. I did create some fictional street names in my stories, but I also used real street names, and I had to know in my mind where they were and the distances that my characters would travel to get from one location to another. A map of 1888 Whitechapel still hangs on the wall next to my desk.

Travel itself became another research rabbit trail. As I was writing, I realized I didn't know enough about hansom cabs, which were the Victorian version of our modern yellow taxi cabs. My characters use them throughout my stories to travel from one part of London to another, and I needed to know the various parts of the cab, how one entered, communicated with the carriage’s driver, etc. 
     
One of the great dangers of research is the possibility of getting lost in it. A history book usually isn't a light read, and you can get drawn into chewing over facts and following rabbit trails—one book or fact leading you onto the next. All that time spent researching tidbits for your novel can sometimes hold you back from the writing itself. While the past is a pleasant place to get stuck, when research slows down your writing time, it can become problematic.

To stop myself from getting sucked in, I now go ahead and draft my story and make a note of anything I want to research during revisions. In the past I've used file folders, index cards, and Word files to collect research notes. Now I rely on Google Docs, Simplenote, or Evernote to quickly capture research information online. But the hands-down most useful writing and research aid I've found in recent years is Scrivener. Because of its binder-style structure, I can maintain folders with notes, images, and snippets of research that are visible and easily accessible in the sidebar of the same window where I’m composing my draft.

As a visual person, being able to grab images of clothing, maps, cityscapes, and art to inspire and inform my writing is essential. I've found Pinterest to be a boon in this respect. Not only can a search provide me with useful images, but I've created my own Pinterest boards for each of my books. It’s like an online scrapbook that I can refer to during the draft process and then share with my readers once my book is finished. I've now linked to each of my books’ Pinterest boards from each book’s page on my website.
     
I love to share research tidbits and learn from other writers. I may not have an answer to a question about 19th century London, but I will likely have an idea of where to look.
                        
If you do research, do you have any tips and tricks you recommend?

Learn more about Christy Carlyle here.



Saturday, December 20, 2014

What's New in Cover Design

by Christy Carlyle

While the title of my post refers to what’s new, most of what’s important to know about cover design remains consistent. And that’s good news! It means you don’t need to scramble to keep up with constantly changing trends. Sure, there are fads and genre specific trends, and I’ll mention a couple of those, but in general the following fundamentals have remained true of book cover design since I began designing three years ago.

FUNDAMENTALS
Stay true to your genre and optimize its best aspects – Being unique sounds appealing, but creating a cover that strays too far from what paranormal romance, historical romance, or fans of any specific genre expect to find on a cover may mean that your book gets lost rather than standing out in the crowd.

Look at what’s hot in your genre by studying bestseller lists or browsing bookstore shelves. Sure, those books are ultimately selling because of excellent storytelling, but great cover design can also play a role. And it can’t hurt to emulate the folks who are selling heaps of books, right? Figure out your genre’s cover design expectations, and then work to create a cover that optimizes those aspects. In other words, figure out what works and do it well.


I write Victorian historical romance and there are basically two main cover design modes in my genre—couple in a clinch or lady in a pretty dress. There are other options, of course, but those two styles have remained consistently popular for years. When I designed the covers for my Whitechapel Wagers series, I tried to combine the appeal of both.  

Don’t skimp on quality – For an indie-published author, paying for book cover design may be one of your larger expenses, but it’s well worth it. Expect to pay between $100-200 (or more) for a professional cover designer to create your perfect cover. As a designer, I have been asked to redesign covers for several authors—to create a more consistent look, to improve on the quality of their previous covers, or to “try something different” to boost sales. 

I've learned that a good deal of the work in cover design takes place before images and typography are combined. Taking the time to envision consistency across a series and figure out your overall brand as an author will improve your covers the first time around. Who knows. It might save you the trouble of a redesign. Then again, one of the great freedoms of being an indie author is the ability to change your cover. It's an aspect of your business and marketing strategy that you control, tweaking a cover or trying different options to test their impact on sales. 

Cover designs for Christina Tetrault with a focus on consistency.
Design principles to keep in mind – Did you have to take an art history or art theory class in school or at university? If you did, they might have droned on about design principles like contrast, color harmony, clear, readable typography, the Z pattern, etc. Did you know you can use these concepts to improve your cover and that any good cover designer will be applying them to the mock-ups and final art you see?

Since many readers purchase ebooks based on small thumbnail images, it’s important to make sure your typography is large and readable in thumbnail dimensions. Also, the higher the contrast of dark and light colors/images on your cover, the more it will “pop.” Keeping color harmonies in mind is also useful. I often pull out an old school color wheel or browse a site like Adobe's Kuler, which features infinite color palettes, for design inspiration. The Z-pattern refers to the notion that our eyes tend to view images in a Z pattern, scanning from upper left to right, then down diagonally to lower left over to right. Since typography and key elements on book covers tend to be at the top, bottom, or in the center of the diagonal, most follow the Z-pattern.

TWO TRENDS I’VE NOTICED
I feel certain that as soon as I type these out, they’ll go out of style. Or perhaps they did go out of style when my finger slipped off the pulse of cover design. And of course these aren't hard and fast rules, just some trends I’ve noticed as I study covers.

Historical romance – I’ve noticed a trend toward monochromatic color schemes which use several aspects of a single hue on the cover. Memorable recent examples are Sarah MacLean’s Rule of Scoundrel covers, but I've seen the technique on many beautiful historical romance covers recently.


YA Paranormal romance – While dark background colors remain a visual cue for many paranormal covers, I’ve noticed YA, in particular, tends to be focused increasingly on single female figures on the cover rather than an object or couple, both of which seemed to be popular for a while. On a recent bookstore visit, these covers caught my eye and held me captive. Beyond the compelling central figures, note their use of contrast, simple design, and readable typography too.


What trends have you noticed in cover design? Feel free to post any questions you have about cover design and I'll do my best to answer.