Showing posts with label Hansen. Show all posts
Showing posts with label Hansen. Show all posts

Tuesday, October 6, 2015

I don’t believe in magic. Except I do.

To be clear, I don’t mean “magic” tricks as in the art of illusion for entertainment, which uses sleight of hand and/or deceptive contraptions. Obviously those are real things, and there is nothing supernatural about them.

I’m talking about magic when it refers to the very real practices of sorcery, witchcraft, wizardry, occultism, etc. These Black Arts are called that for a reason: because they involve mere humans dabbling in unfamiliar powers that can neither be controlled, nor safely engaged.

I am a Christian by faith. That means that I believe there are only two sources of power in our little 3-dimensional universe: God and Not God. God is the source of all good things in our world: love, truth, beauty, hope, and real life. Not God is the source of all that is not good: hate, lies and deception, ugliness, hopelessness, and real death.

As humans we are titillated by the idea of supernatural powers, whether in the form of Marvel and DC Comics characters, or in something as (seemingly) innocuous as a Ouija board. Humans are born with an understanding that we are not the be-all and end-all of existence, so it’s natural for us to want to enter that mysterious not-3D realm. And let’s be honest; at some point, we all will.

In the meantime, messing with dark things that we really don’t understand can hurt us – now, and later.

I had to grapple with this when I decided to write a paranormal trilogy. I am walking a careful line between what could be God possible, and not allowing Not God to take any part in my story. So that means no demonic creatures, no shape-shifters, no zombies, vampires, or dead-people ghosts.

My solution? A Viking caught between life and death during Norway’s historical shift from Paganism to Christianity in 1070.

My precedent? Enoch, Elijah, and Lazarus.

My happy ending? My hero eventually gets his body back at the end of book two and picks up his life again.

After being stuck in the ether for 950 years.

Will traditional paranormal readers like him? Maybe. But he might be too tame for readers who regularly dine on blood and evil.

Will my Hansen Series fans like him? I think so. His unusual circumstance aside, he fits into the family quite nicely, as both the beginning and the end of my historical timeframe. Plus his contemporary heroine is a hoot.


Either way, the cross-dimensional and unique relationship between an 11th-century Viking and a 21st century woman is the kind of “magic” which I can happily embrace.

***

Coming in 2016:
An Unexpected Viking
A Restored Viking
A Modern Viking

Saturday, December 21, 2013

The Boxed Set as a Marketing Tool - Good or Bad?

Trends in publishing in the 21st century are as varied and fleeting as anyone's imagination. With over ten million books on Amazon - and over two million of those books on Kindle - every published author's main concern is to be findable by readers.

We have all seen the free reads and the 99-cent reads touted as a way to garner interest. In my own experience, the "free" didn't translate into sustained sales. I believe that's because readers grab and hoard books when they can, but don't always get around to reading through their pile. As for the 99-cent offerings, those can be a good idea for a day or two. The danger there lies in the glut of 99-cent monstrosities; poorly written and hastily published, these cheap reads are rarely worth the cost and they scare readers away.

The next trend has been boxed sets. Whether done by a group of authors with a single theme, or by single authors "boxing" connected books, these sets generally offer four to six full-length novels at a ridiculously low initial price. After a set period of time, the price goes up, and eventually the set is unpublished.

The goal of the set is, as always, to garner new readers. That is a good thing. Linking arms - or books - is also a good thing. Limited-time offers are good things. And promoting the heck out of them is not only a good thing, but a very necessary thing.

I am currently in two boxed sets. "The Wrong Guy" was released in May 2013, and features six authors from my Arizona Dreamin' 2013 reader event. The collection was fairly successful, netting each of us over $1,000 in the first four months. The thing that made me happiest was an email from a reader who found, and loved, my entire Hansen Series as a result of the collection! Mission accomplished.

The second set is mine alone. In "Hansens in America" I gathered the stories of three generations. Father: "Leaving Norway" brings the family to the colonies in 1749. Son: "Finding Sovereignty" is the Revolutionary War captain who marries into Norwegian royalty. Grandson: the trilogy which started the Hansen series includes "A Woman of Choice" - "A Prince of Norway" - "A Matter of Principle."

I created this set as a Christmas gift to readers. Five full-length books - 500,000 words - for $9.99. I could have set the price lower, but I wanted to rise above the sludge. My stories are worth it.

The set will be unpublished on January1st. Gone. Will I ever bring it back? Maybe.


That depends on the next trend. ;)

Tuesday, November 5, 2013

From "A Woman of Choice" ~ Sydney's First Norwegian Christmas

The holidays are approaching; please enjoy this nudge toward getting "in the mood"!

*****
When Sydney awoke to her first Norwegian Christmas, Nicolas was already downstairs with John wrestling the huge pine Yule log into the drawing room fireplace.
“It’s tradition,” he explained. “Vikings used to celebrate the passing of the shortest day of the year with the longest fire they could burn. Now it’s part of our Christmas tradition.”
Sydney helped Addie prepare pinnekjøtt from lamb ribs that were salted and smoked last summer. They would steam for the next few hours in a pot with small stripped branches, until the meat actually fell off the bones. While the ribs cooked, Sydney propped up her feet and watched Addie make rice pudding. Nicolas kept coming to steal tastes and Addie kept smacking his hand with her spoon.
“Don’t forget the almond!” he admonished. “Whoever gets the almond in their pudding will have good luck throughout the year!”
Nicolas stepped behind Sydney, leaned down, and wrapped his arms above her belly. “My year will be lucky no matter who gets the almond.”
His soft lips, amidst the prickle of his beard, nuzzled her neck. Gooseflesh rippled down her arms. She wished she could drag him back to bed to play, even though her own pleasure was weeks in the future.
At a little past eleven o’clock that night, Nicolas descended the stairs with a sleepy Stefan in his arms. Sydney waited below in her cloak. She had just been to the privy—again—and still felt the chill of the December night.
“Is Julenisse here?” Stefan rubbed his eyes.
“I’ve not seen him yet. Are you certain you were a good boy this year?” Nicolas teased, setting him on the floor.
Stefan nodded, his auburn hair flopping in his face. “Real, real good!”
“Well, perchance he’ll come while we’re at church.” Sydney suggested. She ruffled Stefan’s hair. “Do you need to use the privy?”
Stefan yawned, shaking his head.
“Let’s go then!” Nicolas herded his family out the front door.
A three-quarter moon shone on snow that twinkled with a million stars. Sleigh blades slid over the snow with a soft hiss, the team’s hoofbeats hushed by the frozen fleece. The jangle of tack rang loud in the frigid air. Stefan snuggled between his pappa and his new mamma.
Tonight, entering the school and church building held no fear for Sydney. She considered her new Nordic-god husband and was certain it never would again.
Onkel Rick!” Stefan bounced to his uncle as soon as they walked through the door. “Merry Christmas! Did you bring me anything?”
“Of course!” Rick pulled a bag of peppermint candies from his pocket. “Make them last, do you hear? And don’t forget your Tante Lily!”
Stefan waved at Lily. She didn’t seem to notice.
“Mamma, look what Onkel Rick gave me!” He showed Sydney the bag. “Can I have one now?”
Nicolas leaned over. “Did you say thank you?”
A horrified look came over Stefan’s face and he bolted back to his uncle. “Thank you, Onkel Rick!”
His urgent voice pulled Rickard’s rapt attention from Miss Bronwyn Price. “You’re welcome, Stefan.”
Stefan returned to Sydney, but his eyes slid sideways to his father. “Now can I?”
Nicolas answered him. “Yes. Sit down and be quiet then, the service is going to start.”
Stefan sat next to Sydney and carefully unwrapped one piece of the precious candy. He slipped it into his mouth and his eyes closed in childish ecstasy. With a contented sigh, he pulled his feet up on the bench and leaned over. Resting his head on Sydney’s stomach, he received a kick from his surrogate pillow. Unfazed, he patted her belly.
Sydney’s composure quavered at his simple acceptance. She slid much more easily into Stefan’s life than she had into his father’s; now he casually comforted her unborn babe.
The immensity of being the only mother Stefan would ever know made her feel very small and very incapable. She closed her eyes and thought of Lara. Would she approve of Sydney as a wife for Nicolas? Would she trust Sydney to raise her son? She closed her eyes and crossed herself, finding the familiar motion reassuring.
With God’s help I’ll do my best for both of them, Lara. I promise.
The burden eased and a sense of goodwill infused her core the way candlelight infuses darkness. She ran her fingers through Stefan’s hair as one tear rolled down her cheek.
Nicolas’s finger brushed it away. “Is something amiss?”
She nodded toward Stefan.
His eyes dropped to his son, tunelessly humming as he rested against Sydney’s bulge and patted its restless inhabitant. When his eyes returned to hers, they sparkled with moisture.
The last notes of the Christmas Eve service dissipated. Worshippers filed out slowly, calling ‘Merry Christmas’ to each other before dispersing to their far-flung homes. Rickard was one of the last to leave. He kissed the back of Miss Price’s hand.
“He’s smitten.” Sydney held Nicolas’s arm. “And he has a bad case!”
“It’s about time. I was beginning to wonder about him.” Nicolas helped Sydney into the landau.
Pappa, do you believe Julenisse came yet?”
“Well, I don’t know,” Nicolas’s mouth twitched. “Do you think he knows you forgot to thank your Onkel Rick for the candy?”
“Stop that!” Sydney laughed and smacked Nicolas on the thigh.
At the manor, Stefan jumped out of the carriage and ran to the door. He pushed it open and could not be bothered to close it.
Nicolas helped Sydney down and kept her from slipping as they mounted the porch steps. Stefan reappeared, radiating excitement.
“He came! He came!” Stefan bounded out the door. “Look what he brought me!”
Stefan held out a pair of carved wooden horses painted to look like Fyrste and Sessa. Nicolas looked down at Sydney with amazed appreciation. She gave him a self-satisfied smile.
“Did he?” He turned back to Stefan. “And is that all that you found?”
Stefan disappeared again. Nicolas and Sydney followed, closing the front door.
“Look at this!” Stefan held up two jointed wooden knights. They were painted like Knights of Norway. They were a little too large for the horses, but Stefan was already setting up a jousting match on the drawing room floor.
“Son, I’m glad Julenisse came tonight. But you’ll have to wait until morning to play. Go upstairs and get into bed.”
Reluctant to relinquish his new toys, Stefan did so without complaint only when Nicolas told him he could eat one more peppermint while he undressed. Sydney eased herself to the settee. The staircase was daunting when she was this laden and this tired.
Nicolas grinned at her like a lizard with a mouthful of cricket. “Julenisse brought something for you, as well. Wait here.”
He strode from the drawing room. Once he was out of sight, Sydney awkwardly retrieved Nicolas’s gift from her sewing basket on the floor and tucked it behind her back.
“Close your eyes!”
The command came from the hallway. Sydney heard the floorboards complain as Nicolas crossed the room. She felt something heavy come to rest in front of her. “You can look now.”
“Oh, Nicolas! Did you make this?” Sydney ran her hands over the carved maple-wood cradle. It was large and sturdy, and it rocked easily.
“See this?” Nicolas pointed to an extra piece of wood on one of the rockers. “This is so you can rock it with your foot.”
“I’ve never seen such a beautiful cradle! What are the carvings?”
“Norse mythology. I’ll tell the child stories as he grows.”
“I am certain she will love that!” Sydney laughed, reaching for Nicolas. “Thank you!”
Several lingering kisses later, Sydney pulled the pliable bundle from behind her back before his delicious attention made her forget it was there.
“Now it’s your turn.”
Nicolas untied the ribbon that held a roll of fabric. Two shirts of soft brushed cotton unfurled before him, both with elaborate stitching and pleating.
He wiggled the fabric between his fingers. “This material is so soft. Where did you get such a thing?”
“A peddler came by while you were hunting. I was only going to make baby clothes from it, but I struck a deal with him and got the whole bolt.” She grinned up into his beautiful eyes. “You deserved to be pampered some as well.”
“Thank you, min presang.
Nicolas kissed her again—very thoroughly—and she was transported. She inhaled the scent of him and nestled into his arms. She was so contented that she felt she could float up the stairs; her bulging womb would pose no impediment at all.


Find A WOMAN OF CHOICE on Amazon.

Friday, August 31, 2012

The Unique Strength of Damaged Heroes

I learned a lot from Brander Hansen.

I first decided to write a deaf hero after reading an article that said women are attracted to men who stare at them like they are the only thing in the room. I thought, who would stare at a woman like that? A deaf man.

I have friends who work in the deaf community, plus I have some limited experience with American Sign Language, so I had a foundation to work with. But I write historical novels and ASL doesn't exist in Europe now, much less in the 1700s. When I began to describe Brander's gestures, I had to forget everything I knew and create motions that would make sense to a seven-year-old.

I also needed to give him a realistic trade, one that a deaf man would not only be able to do, but do well. As a private investigator, Brander can use his deafness and lip-reading as some of his tools. After all, he says, when people find out I'm deaf, they forget I'm in the room.

Here is what I learned/realized along the way:

For the purpose of brevity in this discussion, I'll use the term "physical disability" (PD) to refer to part of a person's body being damaged or missing.

There are two kinds of people who write characters with disabilities. Those who have disabilities, and those who don't. And both kinds tend to make errors which keep their characters from being whole people.

Authors with disabilities who write fiction need to guard against letting their need to educate overshadow their story. There is a difference between realistic and realism. The reader only needs the story to be realistic, to know enough to "get" the character and no more. The PD is only a part of that character's literary development.

If education is the goal, then the author might consider writing non-fiction realism instead. In fiction the plot and characters rule, and information dumps are deadly, no matter who is writing the story.

As for authors without a PD, the tendency can be to go sappy and glorify the PD characters. Make them such angelic martyrs that no one can believe they exist. Because they don't. The other extreme would be the character so overwhelmed with bitterness (based in the PD) that no one wants to be around them - or read about them, honestly.

Another mistake that authors without a PD make is assuming the character would always want the broken or missing part "fixed." That assumption is offensive to a real person with a real PD.

Consider Olympic runner Oscar Pistorius: if he wasn't the "Blade Runner" none of us would know who he was. And he made the semi-finals in the 2012 Summer Olympics by running against men without amputated limbs. I'm pretty sure he feels whole.

I have a scene in the second book, "A Discreet Gentleman of Matrimony" (now available) when a doctor asks to look into Brander's ears. My discreet gentleman experiences a moment of shock and wonders if he could regain his hearing.

He cannot. And when he thinks about it, Brander realizes that he is a better man because he is deaf. To regain his hearing at this stage of his life would be a detriment to his career.

That is a very realistic response. Not heroic. Not bitter. No pounding anyone with a politically correct agenda. Just real.

Others agree, according to this very complimentary reviewer of books & movies with characters with PD: http://paradevo.blogspot.com/2012/08/a-discreet-gentleman-of-discovery.html *smiling*

Of course, the hearing people he encounters are as insensitive and ignorant as humans can be. To write the story otherwise would be a mistake as well.

As I was typing along, I occasionally made those mistakes. When I did, I tried to work them into the narrative. Like this line: "Regin lowered her voice… Oops. Well, go on with the thought: …before she remembered she didn't have to." The hearing spouse is making an adjustment, too.

I even had a line of dialog where Regin points her finger at her deaf and mute husband and shouts, "Don't you ever say that to me again, do you hear me?" Who wouldn’t use words they were accustomed to in the heat of an argument?

Brander looks at her like she's crazy and asks: Do you realize what you just said?

"You know what I mean!" she retorts.

Realistic. Real. And a little humorous, to be honest.

And did I mention sexy? That intense stare, quick intelligence, and the ability to see things others cannot make for a uniquely strong character. I confess: I'm thoroughly smitten.



For more information about all 5 of the Discreet Gentleman books (so far) please go to: http://www.KrisTualla.com