Showing posts with label ww2 romance. Show all posts
Showing posts with label ww2 romance. Show all posts

Tuesday, October 8, 2019

Extraordinary in the Ordinary By Eleri Grace

A “superhero” is a fictional character with extraordinary or superhuman powers or an exceptionally skilled or successful person.

Rather than paying tribute to the numerous actual people who populate my life and have exceptional or superhuman perseverance, strength, and empathy for others, I decided to write today about a group of women who straddle both worlds in a sense.  The heroines of my Clubmobile Girls novels are fictional, yet they are rooted firmly in our documented history. Based on the thousands of women who answered the call to wartime service with the American Red Cross, my heroines have a strong sense of duty and patriotism, resilience, an adventurous and independent streak, and exceptional courage.

Courage is the first word in the title of my first Clubmobile Girls novel, and it is the attribute my heroines call forth more than any other. As all good fictional characters do, my heroines must summon their mental strength to withstand and extricate themselves and others from dangerous situations. But my heroines evidence mettle from the beginning, way before they are in any sort of perilous situation. Indeed, they have built up and drawn on an enormous reservoir of tenacity before my readers meet them. Of course, most American women served in some capacity during WWII, whether working in a factory or defense plant, enlisting in one of the auxiliary military service units, volunteering with the USO, the Red Cross, or a local hospital, or tending a victory garden and economizing in her household. But the women who secured overseas assignments with the American Red Cross evinced particularly exceptional spirit and drive.

Well before the first women shipped out, before their overseas work was operational, the Red Cross intuited that the women who would organize and staff their clubs and mobile units all over the world must be self-starters with stamina, confidence, and adaptability.
Most of the women who applied (only one in six would be successful) were poised, charming, and accomplished professionals who could draw on a varied life experience. They were good conversationalists who could hold their own in a male-dominated environment, who could laugh at a dirty joke but retain “girl next door” respectability, who could offer comfort and stability to both the homesick and shell-shocked soldiers. But it was her inner fortitude that likely won her the job, and it will be that same strength that will see her through it all.

Stand in her shoes and close your eyes. It’s 1942, and you’ve just signed on for the duration.
You don’t know where you will be posted (a bomber base in southeast England or in the large cities of southeast Australia, a club in Algiers, Calcutta or Chungking, a train serving men working in the deserts of Persia, a naval base in Iceland or Cuba) or what your day-to-day work will entail. You don’t know when you might next see your parents or family and friends. Tied to that, of course, is the dawning realization that you don’t know what the “duration” actually means. You have no crystal ball that shows a return to normalcy by 1946. You don’t know yet how the war years will shape and change you profoundly, how those years more than any others will stand out as having been the most meaningful of your entire life. But you know one thing for certain: you wouldn’t trade this opportunity to serve your country with courage for anything.

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Learn more about me and my writing on my website, and you can also find me on Facebook, Twitter, Pinterest, and Instagram

Tuesday, September 10, 2019

The Devil's in the Details


Hi, I’m Eleri Grace, a new blogger at Romancing the Genres, and I’m excited to share more about me and my novels with all of you. I write WWII historical romance featuring trailblazing Red Cross Girl heroines and flyboy heroes. My novels reflect my passion for the 1940s era, and my hope is that readers will come away with an appreciation for the many couples swept up in war-time courtships forged in a time of larger-than-life uncertainties. 
 
We’ve commemorated many “75th” anniversaries for key milestones in World War II in the last year, and recently marked the 80th anniversary of the start to the conflict in Europe. The war years lived by the Greatest Generation seem paradoxically a bygone era and not so long ago. Many elements of our current lives were in existence and use in the 1940s. But as a historical author writing in that time period, I take special care to confirm the specifics. I know I’m not the only historical author to find that being a stickler for historical accuracy can be a slippery slope. I can’t tell you how many times I’ve lost hours to a research rabbit hole that ultimately didn’t perhaps merit that level of sleuthing. The trick is knowing when to stop, when you’ve hit a brick wall and need to “write around” the issue, when you’ve learned all you can via Google, or when you’ve lost sight of the bigger picture.

Some details are fun and relatively straightforward. I have always enjoyed perusing baby name books, so naming my characters is particularly rewarding.  I regularly consult the online Social Security Administration database of “Popular Names by Decade.”  My heroes and heroines were born in the 1917-1922 time period, so I browsed both the 1910s and 1920s lists and created a master list of possible character names. Now, some of the popular names in those decades don’t appeal much to modern readers. So I made a list of era-appropriate given names with modern currency. In my first Clubmobile Girls novel, Courage to be Counted, my heroine is Vivian Elaine Lambert, and the hero is John “Jack” Peter Nielsen. Both Vivian and Jack have seen a resurgence of popularity in the last few decades.

One only needs to read a few memoirs to pick up on the era’s propensity to bestow quirky nicknames. So while I’m reading memoirs and historical non-fiction for research purposes, I add to my ongoing list of unusual nicknames. While I probably won’t use those names for my hero or heroine, I do populate my cast of secondary characters with names like Ace, Tink, Duck, and Bizzy.

Some details are easy to verify. If you are writing a Christmas scene, your characters might sing songs that remind them of home, and a large number of familiar Christmas songs still enjoyed today date to the 1940s and 1950s. Most of us immediately associate Bing Crosby’s classic “White Christmas” with the WWII years, but it only takes a few seconds to confirm that it was originally performed and released in 1942. Whew, your 1943 Christmas scene can easily incorporate this well-known Christmas song. But you can’t include “Rudolph the Red-Nosed Reindeer” which was first recorded in 1949.

Many common items were rationed during the war years. Internet sleuthing usually yields a quick answer to what sorts of food items were rationed in different countries, but you have to be careful here too. Even if a food wasn’t rationed, its typical packaging might have been.

WWII authors should always keep the blackout regulations in mind. Consider this scene from Courage to be Counted:

A trace of musty odor hung about the stuffy room. Vivian crossed the room and pulled on the sash to raise the window. A waft of cool, damp air left a light mist on her face. She closed her eyes in contentment.

She should move back and let the blackout drapes fall closed, but the delicate spray of mizzle continued to beckon, refreshing and relaxing.

Other regulations, such as the restriction on bath water limits, provide another opportunity to immerse one’s readers more directly in the realities of life during that time: “Did she have time to run a bath? It would only be a few inches of tepid water, but a big improvement over her toiletry for the last several days.”

Reading deeply in memoirs and narrative non-fiction can illuminate customs, patterns of behavior that weren’t dictated by regulations but were prevalent at the time. I wanted my hero’s scenes to reflect the challenges he faced in the air but also the realities of his life on a bomber base in southeastern England.

Bowie opened the door, and Jack followed him out into the night. A crisp bite of wind stung his chapped face and whooshed through his heavy clothing, chilling him deep in his bones. Darkness, dense and inky, enveloped them like a shroud. Occasional pinpricks of light marked a hut door opening and closing. They stumbled across the mucky footpaths by instinct, the huff of their breaths and the crunch of their boots on the frost-coated ground the only sounds.

No one talked. Not on their way to the mess. Not in the chow line. Not even as they ate powdered eggs and fried Spam washed down with black coffee. Apparently, they had been up too many times this week to merit the fresh eggs and bacon that would normally be served on the morning of a maximum effort mission.

These are but a few examples of the ways a historical author can weave tiny details into the story, giving it depth and color. At the same time, it’s important to use those sorts of details with a deft touch. Translating every line of dialogue into the slang of the era would be overkill. Avoiding the information dump is equally important. For all the research I do – and I do way more than I probably ought to – I only include a fraction of what I know. You have to know when to stop researching and when you’re laying it on too thick in your writing. The devil is in the details. 



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Learn more about me and my writing on my website, and you can also find me on Facebook, Twitter, Pinterest, and Instagram

Saturday, June 29, 2019

A Love Affair with WWII by Eleri Grace

Tanamera by Noel Barber

Following on from Margaret Tanner’s WWI novels and Anna Brentwood’s 1920s settings, I’m excited to share what drew me to set my novels in WWII and then tell you more about my amazing heroines.
With an undergraduate history degree concentration in 20th century history and a life-long passion for WWII fiction, it now seems clear I was destined to write novels set during this dramatic time period. Even in elementary school, I gravitated toward historical fiction set during WWII. I still own well-worn paperback copies of Summer of My German Soldier and Farewell to Manzanar. But it was in high school, after devouring Herman Wouk’s Winds of War and War and Remembrance multiple times that I discovered author Noel Barber.  I was immediately captivated by the combination of romance and thriller-packed action in a WWII setting in his novels. If you’re now curious why I own 8 copies of Barber’s novel , Tanamera, you can discover the answer here!  
My Tanamera collection

Fast-forward several decades: I had completed a “practice novel” and was anxious to begin my writing career, preferably with a historical romance setting. Trouble was, I had no interest in Regencies or kilted highlanders (with the obvious exception of Jamie Fraser of Outlander fame). I believed the heady combination of the era’s glamour and larger-than-life stakes could provide the perfect backdrop for heart-melting and passionate romance novels.  To brainstorm what my hypothetical WWII romance heroines might have done -- and in particular what might have taken them overseas near the action (and the heroes!) -- I consulted Our Mothers’ War. Yellin profiled numerous ways that American women served overseas, but the one I’d never heard about intrigued me most: the thousands of “Red Cross Girls” who were deployed in every theater of the war.  
RECRUITING POSTER

These women who worked for the Red Cross met extraordinary qualifications for the time period. To interview, a woman needed to be aged 25-35, have earned a college degree, and have some career experience. Common character attributes paint a picture of an even more accomplished woman: poised, charming, strong conversational skills, self-assured, independent, adaptable, and possessing ingenuity, creativity and stamina. The Red Cross also wanted women who could hold their own in a male-dominated environment, women who could project a complex persona of big sister/girl-next-door with just a dollop of sex appeal. 

DEBARKING SHIP
The Red Cross Girls, as they were then known, served as recreation workers in Europe (initially England and then moving across the Channel after D-Day to follow the troops through France and into Germany (as my heroine Vivian does in Courage to be Counted.
 Mediterranean regions (moving from North Africa into Italy), the Pacific (initially Australia and New Zealand and then island-hopping behind the boys to New Guinea, Guadalcanal, Biak, Guam, Saipan, Tinian, the Philippines, Iwo Jima, and Okinawa), China, Burma, India, Persia, Iceland, Greenland, Canada, Alaska, Brazil, Panama, and Cuba.  The Red Cross Girls often served closer to the front lines than even the combat nurses.  
IN AND OUT OF THE BATTLE LINES
As George Korson’s At His Side notes, “These Red Cross clubmobile girls had one of the most extraordinary experiences of the war, performing an unprecedented service with enthusiasm and a contempt for personal danger that had the whole Army tossing its helmets into the air. They had a ringside seat at one of the greatest dramas of all time, moving with more freedom than many soldiers. Even war correspondents could not drive in and out of the battle lines as they did every day.” 
They opened and staffed recreation clubs in leave destinations and on military bases, drove Clubmobiles (converted buses, GMC trucks, Jeeps) to deliver doughnuts, coffee, cheer and conversation to small bases and behind the advancing troops in every theater of the war.
They used “duckmobiles” to serve Navy ships and other vessels in harbors around the world, met every troopship and troop train, staffed leave and rest hotels, and provided recreation services to recuperating soldiers in hospitals. 
They were courageous and extraordinary women in every way, and I hope you’ll want to read their stories in my Clubmobile Girls series. I hope to release the second book early next year.

ABOUT ELERI:  
WW2 AUTHOR ELERI GRACE
Eleri Grace writes historical romance novels featuring Red Cross Girl heroines and Flyboy heroes. She hopes her novels will reflect her passion for the 1940s era and that her readers will come away with an appreciation for the many couples who were swept up in war-time courtships forged in a time of larger-than-life uncertainties. 
Before penning her first novel, Eleri honed her writing skills as a corporate lawyer, a historical researcher, and an avid writer and reader of fan fiction.

She lives in Houston, Texas with her teenage son, her soon-to-depart-for-college daughter, and two feuding cats.
To learn more about Eleri Grace and her books, visit her at her website:
 She can be found on social media at:


COURAGE TO BE COUNTED 
Vivian Lambert wants to do her part. When she wins a coveted overseas post with the Red Cross, she focuses on her war service. Falling hard for a sexy pilot wasn't part of her plan.

Thursday, August 22, 2013

MY HERO - MARGARET TANNER


AN ORDINARY MAN – MARGARET TANNER’S HERO

I wrote this as a tribute to my late father and his valiant comrades who bled and died for freedom. It inspired me to write my romantic novel, A Mortal Sin, which is out now from Books We Love.

My father always maintained he was ordinary.  Just the kind of man you would pass in the street and not really notice. Slightly stooped; bad posture interlaced with age most would say. Once blond hair was now grey, and his blue eyes were faded and a little watery.

Dad’s pastimes were following the football, growing tomatoes in the back garden, or amusing his grandsons. He considered his only claim to fame was that his tomatoes were the best in the neighbourhood.

In March 1940 Dad felt duty bound to answer his country’s call to war. When the Japanese poured into Malaya he was there as a member of the 2/29th Battalion of the Australian 8th Division. The letters he wrote home to his fiancée (later his wife), described the hordes of marauding mosquitoes, scorpions and other horrible, wriggly creatures, who inhabited the jungle.

He told of the pleasure in having real white sheets on the beds in one of their camps, and described the various native villages he had visited.

There was an ever continuing plea for news of home, cakes and other comforts to make life just a little more bearable in such an alien, inhospitable land. Yellowing letters, carefully kept by my mother, worn thin from having been read and re-read, unfolded a tale that the history books never told. Words of love more poignant than if they had been whispered in a romantic, fragrance filled garden, were beautiful in their simplicity as my father had left school after reaching the eighth grade.

Amongst his medals was a silver boomerang bearing the words “I go to return.” It was a good luck charm, and my father wore it throughout the war.  There was magic in the boomerang, the relation who gave it to him was convinced of it. Had not the original owner survived the carnage of the 1st World War?  Did the good luck charm live up to its name the second time around?

Wounded in action and transferred to the 113th Australian General Hospital in Singapore, this ordinary man from the country town of Wangaratta was blown out of bed, but survived the Japanese bombs which took the roof off his ward.  The British forces fell back across the causeway into Singapore. Day and night the fires burned.  The bombers came over spreading their destruction. Shattered shops were left to the mercy of looters, bodies rotted in the streets, and packs of marauding dogs gorged themselves with little resistance, as a pall of black smoke hung over Singapore. The bastion of the British Empire, the Gibraltar of the Far East teetered on the brink of surrender.  The giant British guns that might have saved them were embedded in concrete and pointing out to sea, useless to quell the invaders who came over land through the jungle.

All aircraft and ships had departed loaded with civilians, nurses and wounded, and after this desperate flotilla sailed off, those left behind could only await their fate.

In the last terrible days before Singapore capitulated in February 1942, trapping 80,000 Australian and British troops, a small junk braved the might of the Japanese air force and navy, and set off, crammed with wounded.  Only soldiers who were too incapacitated to fight yet could somehow mobilise themselves, were given the opportunity for this one last chance of escape.

With a piece of his back bone shot away, and weakened from attacks of malaria, Dad somehow made it to the wharf, with a rifle and the clothes he stood up in. As they wended their way out of the Singapore harbour, littered with the smouldering debris of dying ships, a Japanese bomber dived low over them, but the pilot obviously had more important targets on his mind than a small overcrowded boat.

They made it to safety, and were eventually transferred to a hospital ship. 

There were no scenes of mad revelry and jubilation when this ship arrived back in Australia.  This son of Wangaratta returned home, unhailed, except for those who loved him most. After his marriage, Dad shifted to the life of Melbourne suburbia and raised three children.

When he died the bugle played the last post, his coffin was draped with the Australian flag.  Old soldiers dropped red poppies into the open grave as a tribute to a fallen comrade.

There were some who wondered what all the fuss was about. After all, wasn’t he just an ordinary man?

My novel, A Mortal Sin, although fictional is well researched, and also has relied on information from my father’s letters and information given to me by my mother and her sisters, and the few things I remember Dad telling us when we were children. 

A MORTAL SIN

Paul Ashfield, an aristocratic Englishman, travels to Australia in search of the birth mother he thinks deserted him.  He meets and falls in love with Daphne Clarke, but after staying with her parents, Paul finds a diary and erroneously believes that he and Daphne share the same mother.  He beats a hasty retreat, believing he has slept with his sister.

Their paths eventually cross again in Singapore where Daphne is a nurse and Paul is in the army. They get married as Singapore teeters on the brink of invasion.  Wrenched apart by the war, each believes the other has died in the bombing. When they meet again, it is in church and, Paul is about to enter into an arranged marriage.